by Shawn Levy ‧ RELEASE DATE: May 1, 1998
Levy shifts the focus from one of show business’s great egotists, Jerry Lewis (King of Comedy, 1996), to entertainment’s most hedonistic gathering of narcissists, the Rat Pack. Most of its members were larger than life—Frank Sinatra, Dean Martin, Sammy Davis, Peter Lawford. Joey Bishop wasn’t, of course, but that was his charm. They gathered in Las Vegas in 1960 for the shooting of the less-than-immortal film Ocean’s Eleven, an event that turned into one huge party, a lengthy day-and-night celebration of booze, broads, and bucks. With this lunatic extravaganza as its pivot point, the book traces the rise and fall of this quintet of famous men, trying somewhat vainly to explain their hipper-than-thou attitudes as some part of the Zeitgeist that produced the wretched excesses of the Kennedy White House. As Levy himself notes in the acknowledgments to the book, the lives and peccadilloes of these men are amply documented in dozens of books. We are treated to a snappily written retelling of Sinatra’s rise from working-class Hoboken, NJ, fueled by his mother’s high-octane shoving, to his success as teen idol and band singer, his catastrophic fall from grace in the early ’50s and no less meteoric return with the film From Here to Eternity and a series of classic recordings for Capitol Records. Levy embroiders on the story of Martin’s even more improbable success, which he touched on in the Lewis bio. Indeed, except for the material on Joey Bishop, which is (surprisingly enough) downright delightful, there isn’t much that is unfamiliar—the Rat Pack’s dalliances with the Kennedys, ties to the Mob, decline and fall. And although Levy’s take on all this is suitably critical, there is something creepily voyeuristic about the relish with which he peddles these tales. (16 pages b&w photos, not seen) (Author tour)
Pub Date: May 1, 1998
ISBN: 0-385-48751-7
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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