A familiar but fun Hollywood tale.
The history of Hollywood plays out in the corridors and bedrooms of an iconic hotel.
In his latest, biographer Levy (Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome, 2016, etc.) turns to an inanimate subject as colorful and outrageous as some of the living subjects he’s covered—e.g., Paul Newman, Porfirio Rubirosa, and the Rat Pack. The author chronicles the history of the Chateau Marmont on Sunset Boulevard in West Hollywood, suggesting that its story “parallels the story of Hollywood so thoroughly as to be inseparable from it.” Levy’s history is both staid and juicy. A lesser-known aspect of the history begins in 1926 when Fred Horowitz, a prominent attorney, envisioned an apartment building modeled on a French castle in the Loire Valley. Horowitz built an earthquake-proof structure of “pale stone, slate-gray gables, balconies, Gothic archways, and turrets.” The denizens of Hollywood adored the place, making it, to this day, their own. Levy diligently details the effect on the hotel over the years of its different owners. Some nurtured the property while others saw it as part of a business deal. The place changed from an apartment to a hotel; it thrived, it turned seedy, and then, in the new millennium, morphed into a luxury hotel. What kept celebrities checking in was a staff that looked the other way. Leaning on previously published accounts, the author tells what went on at the discreet hideaway. Tony Perkins and Tab Hunter began a clandestine liaison at the hotel. Working on Rebel Without a Cause (one of many films developed on the premises), director Nicholas Ray had an affair with 16-year-old Natalie Wood. The most infamous event at the hotel occurred in 1982, when John Belushi died of a drug overdose in a hotel bungalow. The Marmont survived the scandal, and, in 2018, the tiniest room went for a price of $500 per night.
A familiar but fun Hollywood tale.Pub Date: May 7, 2019
ISBN: 978-0-385-54316-3
Page Count: 384
Publisher: Doubleday
Review Posted Online: Feb. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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