The white son of a minister active in the civil rights movement is forced to question the values he grew up with after he begins attending a mostly African-American high school in turbulent 1969 Chicago.
Shiflett (Hidden Place, 2004) tells the story of 14-year-old Simon Fleming, a white student who believes in integration—he participates in a boycott to end racist policies at the school—but whose skin color also makes him a frequent target of bullying and violence. After he tries to stop a group of black boys from beating another white student, he's rescued by a racist school cop, Officer Clark, who offers him protection in exchange for intel on the boycott. Other central characters include Clyde, a black classmate who tries to keep Simon out of trouble, and Simon’s father, Adam, whose own commitment to civil rights blinds him, at least at first, to the challenges his son faces. Most effectively (and affectingly) drawn among the supporting cast is Louis, a mercurial and often drug-addled classmate. Louis’ own minister father was killed while advocating for civil rights, and it is Louis’ complicated relationship with Simon that gives the novel’s most powerful moments their weight. Shiflett tends to let his scenes go long, and some plot elements feel overly familiar (Officer Clark’s act wears thin quickly, Simon’s requisite love interest isn’t given much to do). Still, Shiflett does a nice job illuminating a complex situation from multiple perspectives, and readers will find the book’s brisk final third—when various plotlines coalesce around rioting at the school—difficult to put down.
An imperfect but admirably frank exploration of the challenges of integration in the late 1960s.Pub Date: Sept. 1, 2016
ISBN: 978-1-613-73560-2
Page Count: 320
Publisher: Academy Chicago
Review Posted Online: June 15, 2016
Kirkus Reviews Issue: July 1, 2016
Categories: GENERAL FICTION
Did you like this book?
The phrase “tour de force” could have been invented for this audacious novel.
12
GET IT
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
Did you like this book?
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
Did you like this book?
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2022 Kirkus Media LLC. All Rights Reserved.
Follow
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
