It's one thing to have the reader's sympathy and another to hold the reader's interest.
Canadian fiction writer Heti (How Should a Person Be?, 2012, etc.) delves into the vexed question of motherhood and what the choice between having or not having a child means, culturally and personally.
The novel opens with a series of questions that are answered by the flipping of three coins in an I Ching–based technique. A note at the beginning assures the reader that "while not everything in books is true, in this book, all results from the flipping of coins are true." Worryingly, the first question posed is: "Is this book a good idea?" "Yes," the coins reply. The narrator is a published writer filled with anguish and uncertainty about the possibility of motherhood, among other things. In addition to flipping coins for the answers to questions such as "What should I be worried about? My soul?" and "Should I begin to personify this demon that brings me bad dreams?" she consults a psychic, has a tarot reading, and talks with friends, reporting every mood, dream, worry, and conversation. There are photographs and descriptions of the writing process. The author is a writer and so is the narrator! What is fiction, and what is truth?! But no amount of metafictional smoke and mirrors can make up for the absence of a compelling story. Eventually she goes on medication. "The drugs really seem to be working....Yet I fear I don't have the right to speak anymore, given these drugs. I can't pretend I have come to any answers, or any great realizations, because I am taking these drugs. I think the drugs are the reason I am feeling less bad." "Am I annoyed?" she continues. "Am I disappointed? A little bit, yes. I wanted my own magic to get rid of the pain." Some readers may find this unfiltered self-absorption helpful. Others will remember the question posed at the book's beginning and conclude that the I Ching is not the best arbiter of literary merit. "What kind of story is created when a person goes down, down, down and down—but instead of breaking through and seeing the truth and ascending, they go down, then they take drugs, and then they go up?" If you have to ask....
It's one thing to have the reader's sympathy and another to hold the reader's interest.Pub Date: May 1, 2018
ISBN: 978-1-627-79077-2
Page Count: 304
Publisher: Henry Holt
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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