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TICKNOR

With this austere one-note monologue, Heti offers a plate of sour grapes. Ultimately, her work is not daring or terribly...

A difficult novella that’s a riff on literature’s outsiders and insiders; it’s the second experimental work from this young Canadian author, following her collection The Middle Stories (2001, not reviewed).

“There were no books when I was a boy . . . other boys had books . . . no, the whole country lacked books.” So goes the opening as the narrator, Ticknor, revises and contradicts himself, sorting through his memories of early-19th-century New England. Slowly, a contrast emerges. There is privation (Ticknor’s experience) and there is plenty, enjoyed by his childhood friend Prescott. (The latter was a respected American historian; Ticknor, a Harvard professor, was his biographer.) As they mature, the contrast sharpens. The world of 19th-century Boston is Prescott’s oyster. His work receives “a great roar from the national press,” while Ticknor has been working ten years on one article, and cannot even get Prescott’s opinion of it. Prescott bests him with women, too. He is happily married to the ample Claire; Ticknor, a bachelor, lusts after her, to Claire’s disgust. Yet they stay in touch, inviting Ticknor to supper; the fussbudget endlessly deliberates his preparations for the occasion. Prescott’s life is not all peaches and cream. As a schoolboy, he had received a bread roll smack in the eye and suffered recurring vision problems. Did Ticknor inadvertently launch the offending roll, and then refuse to apologize? And does it really matter? Heti’s work is kin to Nabokov’s Pale Fire in its portrayal of a problematic relationship between two writers, strung with tripwires, fueled by obsession. Ticknor will outlive Prescott, and he will mourn “the extinguishing of a flame that had burned so brightly”; we are left guessing whether that is a sincere tribute or bitter irony.

With this austere one-note monologue, Heti offers a plate of sour grapes. Ultimately, her work is not daring or terribly experimental.

Pub Date: April 4, 2006

ISBN: 0-374-27754-0

Page Count: 128

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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