Adults who grew up with Uncle Shelby will find themselves wiping their eyes by the time they get to the end of this...
A second posthumous collection from the archives of the multitalented Silverstein is definitely a cause for celebration.
“Although I cannot see your face / As you flip these poems awhile, / Somewhere from some far-off place / I hear you laughing—and I smile.” This and 129 other poems chosen by Silverstein’s family see light here for the first time. Those vexed by the relentless spoonerisms of 2005’s Runny Babbit will delight that these buried gems are different each to each. There are tales of garlic breath and child-eating plants (and child-eating land sharks and a horse that’s pretty hungry). There are admonitions never to eat a snake (whole) or look up the chimney for Santa. The poems vary in length as much as in subject matter, running from a line or two to several pages. Silverstein’s inspired word play and impish sense of humor are in abundant evidence. His signature line drawings accompany many of the poems and complete the jokes of some. If there are one or two that feel a bit flat, the hijinks or silly grossness of the next poem more than make up for them. “When I am gone what will you do? / Who will write and draw for you? / Someone smarter—someone new? / Someone better—maybe YOU!”
Adults who grew up with Uncle Shelby will find themselves wiping their eyes by the time they get to the end of this collection; children new to the master will find themselves hooked. (Poetry. All ages)Pub Date: Sept. 20, 2011
ISBN: 978-0-06-199816-4
Page Count: 208
Publisher: Harper/HarperCollins
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A boon for beaver storytimes or young naturalists living near beaver streams.
Readers learn about a keystone species and the habitat they create.
In a “House That Jack Built” style (though minus the cumulative repetition), Sonenshine introduces children to beavers. Beginning with a beaver who’s just gnawed down a willow near their lodge, the author moves on to the dam that blocks the stream and protects their domed home and then to the yearlings that are working to repair it with sticks and mud. Muskrats and a musk turtle take advantage of the safety of the beavers’ lodge, while Coyote tries (and fails) to breach it. Then the book turns to other animals that enjoy the benefits of the pond the beavers have created: goose, ducklings, heron, moose. While the beavers aren’t in all these illustrations, evidence of them is. And then suddenly a flood takes out both the dam and the beavers’ lodge. So, the beavers move upstream to find a new spot to dam and build again, coming full circle back to the beginning of the book. Hunter’s ink-and–colored pencil illustrations have a scratchy style that is well suited to the beavers’ pelts, their watery surroundings, and the other animals that share their habitat. Careful observers will be well rewarded by the tiny details. Beavers are mostly nocturnal, which isn’t always faithfully depicted by Hunter. (This book was reviewed digitally.)
A boon for beaver storytimes or young naturalists living near beaver streams. (beaver facts, glossary, further resources) (Informational picture book. 3-7)Pub Date: Sept. 27, 2022
ISBN: 978-1-5362-1868-8
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A small but mighty collection sure to remind readers that love, again, can prevail over all if given the chance.
In this collection, poet Giovanni seeks to remind black children especially that they are loved.
Giovanni carries the weight of the love that has sustained generations and united communities to her poems with amazing, succinct elegance. Standouts include “I Am a Mirror,” opposite which Bryan centers a real inset mirror against a colorful background of vibrant shapes amid natural landscapes. “I reflect the strengths / Of my people / And for that alone / I am loved,” concludes Giovanni’s ode to black ancestry and intergenerational resilience. “No Heaven” takes another heartwarming approach sure to incite genuine embraces among readers. “How can there be / No Heaven / When tears comfort / When dreams caress / When you smile / at me.” Recalling her earlier collection Hip Hop Speaks to Children (2008, illustrated by Kristen Balouch), Giovanni ends with the playful and reflective “Do the Rosa Parks,” a rhythmic and moving song about the power of sitting down to stand up. Outkast vibes run through it, though some readers may wish for an instructional cue. Throughout, Bryan’s bright tempera and watercolor paintings offer readers harmonious forms and flowing lines, smiling black children and adults arranged as if in tropically colored stained-glass windows. The two masters together deliver another powerful addition to their separate, award-winning catalogs.
A small but mighty collection sure to remind readers that love, again, can prevail over all if given the chance. (Picture book/poetry. 4-9)Pub Date: Jan. 9, 2018
ISBN: 978-1-5344-0492-2
Page Count: 32
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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