Described as “a work in progress for over twenty years,” this posthumous gathering of new verses and line drawings plays too long on a single trope, but makes a real knee-slapper in small doses. Most of the 42 entries star flop-eared Runny Babbit (with occasional appearances from Toe Jurtle, Ramma Mabbit, Ploppy Sig and similar fellow travelers) in various misadventures: A “Dungry Hog” teaches him to “trimb a clee” for instance, in the bath, “He chewed his dubber rucky up, / He gulped boap subbles too. / But what upset his Mamma most / Was shrinking the dampoo,” and “Runny be quimble / Runny be nick, / Runny cump over the jandlestick. / But now—what smells like furning bluff? / Guess he didn’t hump jigh enough.” Like the humor, the simple line drawings accompanying each poem are vintage Silverstein—so, gip, don’t sulp, and enjoy this unexpected lagniappe from one of the greats. (Poetry. 7-11)

Pub Date: March 1, 2005

ISBN: 0-06-025653-2

Page Count: 96

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2005

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Here’s hoping this will inspire many children to joyfully engage in writing.


Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: March 1, 2020

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Some issues with design and tone but a mostly worthy appreciation of the women who stood and stand (if, sometimes, only...



“We know Eleanor Roosevelt, Abigail Adams, / but what about those other madams”?

For each first lady from Martha Washington (“Raised to be a planter’s wife, / taught how one behaves / as mistress of the household / and the household slaves”) to immigrant Melania Trump, Singer offers a thumbnail character study in verse that’s paired to an ink-and-wash figure by Carpenter. If there is any common theme, it’s mortality: Martha Jefferson, who died 19 years before her husband’s election, is represented by a framed silhouette over a silent pianoforte; Peggy Taylor lies prostrate before a tombstone; a veiled Jackie Kennedy looks out from an antique TV screen. Singer likewise often includes mention of lost husbands or children among references to favored causes and personal accomplishments. On the other hand, Mary Todd Lincoln, generously summed up as “an unlucky woman—kindly and cursed,” poses regally as her brown-skinned dressmaker (unnamed in the poem but identified in the endnotes) cuts up an American flag to make a gown while Abe stands nearby, gaping comically at a sheaf of bills. Brief profiles at the end add some detail but mostly just recap the poems’ content, and a pictorial timeline on the rear endpapers would serve as an index if the jacket flap didn’t cover a good portion of it.

Some issues with design and tone but a mostly worthy appreciation of the women who stood and stand (if, sometimes, only figuratively) next to the presidents. (Poetry/collective biography. 7-10)

Pub Date: Oct. 16, 2018

ISBN: 978-1-4847-2660-0

Page Count: 56

Publisher: Disney-Hyperion

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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