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GOODBYE, REBEL BLUE

As true as the blue streak in her hair, Rebel will encourage readers to follow their own hearts and dreams.

A teen fills a bucket list. The problem is, it belongs to a dead girl.

Detention is a second home for loner Rebecca, aptly nicknamed Rebel Blue, but it’s the first time for the straight and narrow Kennedy Green. (The irony of their names is not lost in the story.) The guidance counselor asks the detainees to create a list of accomplishments they’d like to attain, and the two mismatched teens briefly bond. When Kennedy ends up mysteriously dead, Rebel feels compelled to complete the charitable girl’s bucket list, especially when it won’t disappear. Can the edgy teen who lost her photographer mother, has never known her father, and feels disconnected from her aunt, uncle, popular cousin and, well, everyone actually learn to tango, adopt endangered turtles or perform random acts of kindness? Rebel’s snarky, first-person narration celebrates her artistic spirit even as it tries to hide her grief and sense that she is out of sync with the world. As she begins to check off Kennedy’s items, she discovers that she does need friends, family and even a team. Of course a love interest, like seemingly opposite Nate Bolivar, would also make a fine addition to her support system. And along the way, Kennedy’s desires slowly make way for Rebel’s.

As true as the blue streak in her hair, Rebel will encourage readers to follow their own hearts and dreams. (Fiction. 13 & up)

Pub Date: Oct. 1, 2013

ISBN: 978-1-4197-0930-2

Page Count: 320

Publisher: Amulet/Abrams

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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