by Shelley Rotner & photographed by Shelley Rotner ‧ RELEASE DATE: June 1, 1996
The emphasis here is squarely on action; the alphabet takes a supporting role. Rotner (Wheels Around, 1995, etc.) creates superb full-color photographs—fiery chromatic items, the celebrants caught in midaction, all situated in luscious, ideal settings. Children leap against a crystal blue sky, dive into a perfect waterhole, run atop a great sward of grass while kicking a ball, ride a swing in a meadow of wildflowers. Rotner throws in a few counterpoints- -``Napping,'' ``Yawning''—to keep readers on their toes. There are also some oddball word-and-picture pairings, e.g., a child ``Undressing'' to get into an empty pool, another ``Vacuuming'' an already immaculate automobile. Only if children know uppercase from lowercase will they be able to determine the featured letter. Nevertheless, the photos crackle with an energy that brings attention to the accompanying words, which punctuate the page in bold white typeface. (Picture book. 3-7)
Pub Date: June 1, 1996
ISBN: 0-689-80086-X
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1996
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by Laurie Berkner ; illustrated by Camille Garoche ‧ RELEASE DATE: Nov. 7, 2017
For Berkner’s fans; there are much better books about children visiting imaginative lands.
Berkner’s children’s song gets the picture-book treatment with illustrations from Garoche.
What kid hasn’t made a massive pillow fort and imagined all sorts of adventures? Well, Berkner’s premise is that there is a land where everything is made of pillows, and three lucky children get to visit there. (They appear to be siblings, perhaps a blended family: Mom and one girl are black; Dad, one boy, and one girl are white.) The illustrations transition between depictions of obvious imaginative play in a bedroom to a fantasy world and back again at the end, when the parents peek in at the three asleep. Garoche’s art consists of photos of papercut artwork arranged in dioramas with some Photoshop details. Reminiscent of Michael Garland’s work (though more pastel in color) or that of Elly McKay (though less ethereal), the illustrations are a mixed bag, with layers and hard edges juxtaposed against all the pillows. The king and queen of the song are obviously stand-ins for the parents. Children who know the tune may not sit still for a reading, while those who don’t may wonder at the repeated refrain.
For Berkner’s fans; there are much better books about children visiting imaginative lands. (Picture book. 3-7)Pub Date: Nov. 7, 2017
ISBN: 978-1-4814-6467-3
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: Aug. 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Laurie Berkner ; illustrated by Ben Clanton
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by Laurie Berkner & illustrated by Henry Cole
by Jerry Spinelli and illustrated by Jimmy Liao ‧ RELEASE DATE: March 1, 2010
A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)
Pub Date: March 1, 2010
ISBN: 978-0-316-16226-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: April 14, 2011
Kirkus Reviews Issue: Jan. 1, 2010
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