Summoned in May 1934, to help the local midwife deliver a child two months premature, Emma Trimpany, just 17 years old herself, witnesses the remarkable births of five tiny babes: the Dionne Quintuplets.
Wood’s debut novel tells the story of the first recorded successful delivery of quintuplets, to Elzire and Oliva Dionne in rural Canada. Through journal entries, Emma chronicles the girls’ lives from the frightening first days, when the tiny, fragile babies struggled to survive every hour, through their childhoods as well as Emma’s own blossoming into a nurse and young woman. Already raising five children, the Dionnes live on a farm that Dr. Allan Dafoe pronounces unfit for the quints. Initially, Dafoe transforms the Dionne’s kitchen into a sterile space with incubators shipped in from Chicago; eventually, a brand-new hospital is built, devoted exclusively to the quints and their medical team, across the street from the farmhouse. In addition to recording the girls’ developmental progress, Emma traces the comings and goings of various nurses, some of whom leave under shadowy circumstances. Telling the tale through Emma’s perspective enables Wood to capture not only the fiery conflict between the provincial, French-speaking Dionnes and the medical team (with its well-meaning but arrogant emphasis on cleanliness and what’s best technically for the children), but also Emma’s uncomfortable sympathies. The conflict escalates as Oliva Dionne and Dr. Dafoe lock horns in a series of lawsuits, with Dionne trying to assert parental rights and both sides (plus the Canadian government) trying to capitalize upon the quints’ popularity through advertising and movie contracts. Meanwhile, as Emma herself must decide whether mothering the quints is worth giving up her dreams of art school, she is headed for a cataclysmic change of her own.
A charming and well-researched, if long-winded, tale of love and survival.Pub Date: March 5, 2019
ISBN: 978-0-06-283909-1
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 11, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Categories: HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.
Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.
Pub Date: May 5, 2020
ISBN: 978-1-59463-469-7
Page Count: 368
Publisher: Riverhead
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
Categories: FAMILY LIFE & FRIENDSHIP | LITERARY FICTION
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