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THE MOMENT OF EVERYTHING

This diverting read probably won’t change anyone’s life, but then again, books never do. Or do they?

A Silicon Valley woman’s life is unexpectedly turned around by her love of books in this debut novel.

“Books don’t change people’s lives, not like everyone thinks they do,” Maggie Duprés states at the beginning of this book. In a way, she protests too much. Maggie got her master’s in library science in South Carolina before high-tailing it to Silicon Valley with her best friend, Dizzy. Back home, Maggie’s bookishness and Dizzy’s homosexuality marked them as outsiders, but in Silicon Valley, they find success in the tech world, flying high until Maggie’s job is outsourced to India. Hurt and unemployed, she turns to her guilty pleasure, romance novels, which she reads at Dragonfly Used Books alongside Hugo, her landlord and the Dragonfly’s owner. When Dizzy invites Maggie to a book club of high-profile businesswomen, the meeting and the book—Lady Chatterly’s Lovermark a turning point. To impress Avi Narayan, the book club’s founder, Maggie revamps the Dragonfly’s sleepy sales model, infusing it with good business sense, good book sense and a boost from her copy of Lady Chatterly: love notes written between two unknown people in the margins. Maggie scans and posts the notes on social media, they go viral, and their mystery and passion begin to haunt Maggie. As the business takes off and a sultry love interest grabs her attention, Maggie must grapple with where she belongs. King packs many more twists and turns into this breezy novel, and Maggie’s guardedness and flippancy make an enjoyable counterpoint to the unabashed community of misfits she discovers at the Dragonfly.

This diverting read probably won’t change anyone’s life, but then again, books never do. Or do they?

Pub Date: Sept. 2, 2014

ISBN: 978-1-4555-4679-4

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: Aug. 13, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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