A terrific second novel by the talented young Native American author whose highly praised fiction (The Lone Ranger and Tonto Fistfight in Heaven, 1993; Reservation Blues, 1995) has already moved him on to the short list of the country's best young writers. It's a rich, panoramic portrayal of contemporary Seattle that uses the form of the mystery to tell some uncomfortable home truths about Indian-white relations, and indeed racism in all its forms. Alexie begins by focusing on the ironically named John Smith, who was either given up for adoption by, or stolen away from, his teenaged Indian mother. He is raised by loving and conscientious white "parents'' and finds himself in traumatized adulthood "an Indian without a tribe,'' a misfit who belongs to no culture, wandering the streets among the city's homeless, seeking an outlet for the unfocused rage he knows he can no longer suppress. Is John Smith the "Indian killer'' who stalks and murders white men, scalping them for good measure, terrorizing the city and provoking a rash of racially motivated violence? Alexie teases us with that possibility right up to the last page, meanwhile populating his exciting story with a host of keenly observed and rigorously analyzed characters. The most memorable include Marie Polatkin, a fiery Native American college student and activist with no use for sentimental white liberals; Jack Wilson, an ex-cop turned popular novelist, whose exploration (and exploitation) of a small trace of "Indian blood'' in his ancestry infuriates his full-blooded "brothers''; and John Smith's adoptive parents, Olivia and Daniel, whose decency and good will are portrayed with fairness and respect. Alexie succeeds brilliantly at suggesting the time- bombticking character of John Smith's ravaged psyche, and the novel rips along at a breathless pace. Both a splendidly constructed and wonderfully readable thriller—and a haunting, challenging articulation of the plight and the pride of contemporary Native Americans. (First printing of 75,000; $75,000 ad/promo; author tour)
Pub Date: Sept. 1, 1996
ISBN: 0-87113-652-X
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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