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RETRIBUTION

Love redeems (again) in the latest installment of the Dark-Hunter series (No Mercy, 2010, etc.).

In 1873, outlaw William Jessup Brady vowed to go straight after he married Matilda Aponi, but his treacherous partner Bart shot Jess in the back at the very steps of the church—and raped Matilda to boot. The goddess Artemis gave Jess the chance to revenge himself on Bart; in exchange, he surrendered his soul and joined her army of undead Dark-Hunters, who protect humans from the soul-stealing Apollites. In the present day, Abigail Yager, descendant of Matilda and Bart, believes that Jess slaughtered her parents and that Dark-Hunters attack innocent Apollites and humans without provocation. She soon learns she’s wrong about both assumptions, but not before she inadvertently initiates an apocalypse. The colorful, intriguing mythology is ill served by the author’s flat prose, which turns the world’s potential doom into a fairly dull experience. The central romance is of the tell-not-show variety: Abigail’s been brainwashed into hating Jess and his kind, but she rejects her upbringing and falls in love and lust with him with almost no transition. Although their incredibly contrived love is supposed to transcend time and space, there’s just not enough emotional investment in the relationship to have the strength it needs to carry the story. Even those looking for cheap thrills won’t be satisfied—there’s only one sex scene and it’s not nearly as steamy as the author and her characters seem to think it is. Legions of fans make this paranormal romance’s myriad flaws nearly irrelevant.

 

Pub Date: Aug. 2, 2011

ISBN: 978-0-312-54659-5

Page Count: 432

Publisher: St. Martin's

Review Posted Online: Dec. 14, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE LOST FUTURE OF PEPPERHARROW

Although this sequel doesn’t break new ground, it will appeal strongly to fans of the first book.

More steampunk adventures of a samurai prognosticator, his clockwork octopus, and his human lovers.

Five years after her charming debut novel, The Watchmaker of Filigree Street (2015), Pulley brings back the main characters for another scramble through the dangers and consequences of clairvoyance. Readers of the first book already know the big reveal: that Keita Mori—the eponymous London watchmaker—has an unusual memory that works both backward and forward. (Readers new to the series should put this book down and start with Watchmaker.) This time Pulley sets the action principally in Japan, where Mori; Thaniel Steepleton, a British translator and diplomat; Grace Carrow Matsumoto, a physicist; and Takiko Pepperharrow, a Kabuki actress and baroness, are working together to foil a samurai’s power grab and turn away a Russian invasion. At least, that’s what Mori’s doing; the others are rushing blindly down paths he’s laid out for them, which may or may not get them where he wants them to go. But if Mori knows what’s coming and what steps they can take to change the future, why doesn’t he just tell them what to do? The answer is half satisfying (because, as in any complicated relationship, communication isn’t always easy; because the characters have wills of their own and might not obey) and half irritating (because if he did, there wouldn’t be much of a story). Pulley’s witty writing and enthusiastically deployed steampunk motifs—clockwork, owls, a mechanical pet, Tesla-inspired electrical drama—enliven a plot that drags in the middle before rushing toward its explosive end. Perhaps more interesting than the plot are the relationships. The characters revolve through a complex pattern of marriages of passion and convenience, sometimes across and sometimes within genders and cultures, punctuated by jealousy and interesting questions about trust.

Although this sequel doesn’t break new ground, it will appeal strongly to fans of the first book.

Pub Date: Feb. 18, 2020

ISBN: 978-1-63557-330-5

Page Count: 512

Publisher: Bloomsbury

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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JADE CITY

The open-ended nature of the ending suggests that the clan war is not yet over; it’ll be interesting to see what course Lee...

Two clans fueled by the magical power of jade battle for control of an analog of mid-20th-century Hong Kong.

Clan soldiers have a specific genetic affinity for jade not shared by most outsiders, which grants them strength and shielding, among other magical powers. Kaul Sen, the former Pillar (head) of the No Peak clan, has retired, and the new Pillar, Kaul Lan, doesn’t quite inspire the fear and loyalty garnered by his legendary grandfather or his late war hero father. His younger brother, Kaul Hilo, is an effective Horn (chief enforcer), but he’s also rash and impulsive. Sensing weakness in her rival, Ayt Madashi, the ruthless Pillar of the Mountain clan, begins a campaign to destroy No Peak and take total control of the island nation of Kekon. The setting suggests that this crime-thriller/fantasy might find inspiration in history and fiction about the triads, and perhaps it does, but it also clearly leans heavily on elements drawn from The Godfather. Some examples (beyond the general plot of crime families battling for supremacy): an adoptive member of the Kaul family is kidnapped by the Mountain to serve as intermediary; the Mountain wants to sell drugs and initially seeks No Peak’s help with the business; the character of Hilo bears some similarity to Sonny Corleone, while the third Kaul grandchild, Shae, traces part of the path of Michael Corleone (she’s spent years outside the clan pursuing her own interests but her loyalties drag her back when tragedy strikes). Despite those beats, Lee's (Exo, 2017, etc.) novel has its own story to tell; an intriguing confluence of history, culture, and biology shapes both the characters and their fates.

The open-ended nature of the ending suggests that the clan war is not yet over; it’ll be interesting to see what course Lee charts next.

Pub Date: Nov. 7, 2017

ISBN: 978-0-316-44086-8

Page Count: 600

Publisher: Orbit

Review Posted Online: Oct. 10, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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