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DESK 88

EIGHT PROGRESSIVE SENATORS WHO CHANGED AMERICA

Earnest, committed, and even contentious, a text that will cause liberals to smile and conservatives to gnash their teeth.

A senior senator from Ohio highlights the careers, accomplishments, and proposals of mentors and former colleagues.

Brown (Myths of Free Trade: Why American Trade Policy Has Failed, 2004, etc.) arranges his text chronologically, from Sen. Hugo Black, who served from 1927 to 1937, to Sen. George McGovern, 1963-1981. Some of the names will be familiar to readers (Al Gore Sr.; Robert F. Kennedy), but a few—Theodore Francis Green, 1937-1961; Glen Taylor, 1945-1951—are less well known. Desk 88 is the number of Brown’s desk in the Senate chamber, and he reveals that senators traditionally sign the inside before they leave office. Desk 88 bears the signatures of four of the senators he writes about: Black, Gore, Herbert H. Lehman, and McGovern (and now his own). “What drew me to the names at Desk 88 was the idea that connected them: progressivism,” he writes. For each of his eight men, the author provides a brisk biography and a description of his Senate career; following each chapter is a section called “Thoughts from Desk 88,” ruminations about his own experiences, thoughts about issues dear to him, and comments about Republicans and Donald Trump (who, he writes, “promote a racist, phony populism”). In his “Thoughts” sections, Brown writes about his own family and background, the birth of Social Security, minimum wage laws, Wall Street corruption, race, health care issues, world hunger, and policy (with some nasty stories about GOP opposition to the Affordable Care Act—“death panels” and the like). The author argues that Democratic candidates should pound away at the GOP’s opposition to Social Security, Medicare and Medicaid, minimum wage protections, and so on. At times, in fact, his text reads almost like a campaign biography, but in March 2019, Brown withdrew from 2020 presidential consideration.

Earnest, committed, and even contentious, a text that will cause liberals to smile and conservatives to gnash their teeth.

Pub Date: Nov. 5, 2019

ISBN: 978-0-374-13821-9

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 25, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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