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THE LIBRARIANS

Thomas’ virtuosity shows in this fast-paced and intricate yet emotionally moving mystery.

Moving between Austin, Singapore, and Madeira, Thomas’ first contemporary mystery delivers an irresistible ensemble and a raft of surprises as crime-solving librarians solve double murder mysteries while guarding their own secrets.

Building on her bestselling and critically acclaimed Lady Sherlock historical mystery series and historical romances including My Beautiful Enemy (2014), Thomas conquers the art of genre-blending contemporary crime fiction. When her husband disappears under a cloud of major financial malfeasance, Hazel Lee trades her Singapore penthouse for the peace and comfort of life as a library worker in Austin, Texas. With warm memories and her beloved grandmother close by, her childhood hometown seemed like the perfect refuge. But just days after she starts her new job, two patrons are found dead in suspicious circumstances and suspicion weighs heavy on her and her colleagues, every one of whom has something to hide. Sophie, the uber-professional head librarian, is a single mother who worries that a criminal investigation could break her vulnerable family apart. The second in charge, Jonathan, is a lovelorn gay military veteran who’s carrying some heavy scars. Astrid fears that her strange secrets and lies and intimate connections to one victim could land her in the detectives’ crosshairs. And Hazel is weary, having already fled the stench of scandal and police suspicion in one country. Soon the core four are bonding together to solve the mystery before one of them ends up in prison (or worse). Thomas weaves the multicultural ensemble’s stories together seamlessly with vivid and frequently beautiful writing. The single drawback is the occasional reliance on coincidence. Between the intrigue flowing from complex cryptocurrency and other gray-market sleights of hand and a kind of serial serendipity regarding the personal connections among the central cast, plot contrivances sometimes border on convoluted. But the setting and the relationship scenes—whether focused on the friendships among the librarians or between the librarians and their family members or romantic interests—are finely observed every time. This knockout mystery mixes the camaraderie of The Thursday Murder Club with the chic family and romantic drama of Crazy Rich Asians.

Thomas’ virtuosity shows in this fast-paced and intricate yet emotionally moving mystery.

Pub Date: Sept. 30, 2025

ISBN: 9780593640456

Page Count: 368

Publisher: Berkley

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

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  • New York Times Bestseller

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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