An impressive, culturally informative, and engaging love story filled with conflicts.
A romance between a woman from a poor, Southern family and a man from a large, close-knit, Indian immigrant clan sparks a clash that threatens to destroy the lives of three main characters in this debut novel.
Jenny Jenkins and Roshan Desai meet in dental school in Memphis and are simply good friends —until a graduation night celebration sends them into each other’s arms. Unfortunately, Roshan’s mother, Esha, who has a key to her son’s apartment, finds them together the next morning. Staring at Jenny, Esha says to her son, “Roshan, you need to take out the trash.” Jenny and Roshan go their separate ways only to reconnect after a decade, reigniting their passion; family chaos ensues. Each of the three characters has a life-altering back story, pieces of which are revealed along the way. Jenny becomes a successful dentist in Atlanta; Roshan agrees to a traditional, arranged marriage, but his dental practice is jeopardized by alcoholism and his lack of interest in his work. Esha is tortured by her son’s loveless and childless marriage but has learned to always maintain a public face of contentment: “If you tell a lie often enough, doesn’t it become the truth?” Jenny and Roshan are almost polar opposites. Jenny left home early to reinvent herself. She is independent and relentless in her pursuit of her career. Roshan is a rebel, but he’s constrained by tradition and various obligations to his widowed mother. He is both smothered and nourished by his family. Of these three fully developed characters, Esha is the most intriguing. Widowed when Roshan was 4 and thoroughly entrenched in Indian tradition, she gradually ventures out into mainstream society in search of purpose and reconciliation with her son. Parbhoo, a Southerner who is herself married to an Indian immigrant from South Africa, enriches the narrative with lavish descriptions of Indian food, dress, and family gatherings. And she has a wonderful eye for detail—at a celebration, Esha watches the younger women dancing: “The tiny mirrors on their flowing skirts created a swirl of colors, rotating in a circle.”
An impressive, culturally informative, and engaging love story filled with conflicts.Pub Date: Dec. 14, 2016
ISBN: 978-0-9982310-0-6
Page Count: 390
Publisher: CreateSpace
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: June 1, 2017
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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