A deft, patient portrait of grief.
After calamity strikes, the members of the Olander family struggle to find their paths back to each other.
The children of an American father and an Indian mother, Karina and Prem Olander have learned to stick together. Thirteen-year-old Karina defends Prem, 8, from school bullies and even walks hand in hand with him on the way home, but she wants her time alone, too. Pushing Prem away one afternoon so that she can spend time trying on makeup and talking to her best friend, however, leads to a deadly accident. With each chapter telling the story from a different family member’s perspective, Gowda (The Golden Son, 2016, etc.) traces the fallout lines with compassion and a keen eye for the lies we tell ourselves to avoid facing our own demons. While Prem watches from someplace after death, his and Karina's parents split up, with their father, Keith, submerging himself in his work in the financial industry and making some ethically questionable decisions. Their mother, Jaya, drifts away from everyone, rediscovering her spirituality, spending hours in ritualized prayer, building a temple in the family's home, and following the teachings of a prominent Hindu guru. With Prem’s chapters underdeveloped, Gowda focuses primarily on Karina, tracing her spiral first into depression and then into self-destructive behavior. Once she leaves for college, Karina is primed to fall in love, to be betrayed, and to find solace at the Sanctuary. A communal farm headed by the charismatic Micah, the Sanctuary offers Karina meaningful work surrounded by people who embrace her, bearing witness to her sense of guilt. But as Karina begins to suspect that Micah may not be quite who he claims to be, Gowda ratchets up the tension, shifting gears into a thriller late in the game, setting in motion the family’s reunion.
A deft, patient portrait of grief.Pub Date: March 17, 2020
ISBN: 978-0-06-293322-5
Page Count: 352
Publisher: Custom House/Morrow
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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