A doctor and a patient confront each other at an upscale Westchester mental asylum in the late 1940s.
The unreliable narrator of this first novel is Henry Harrison, director of Shadowbrook hospital, who reveals his spectacular unfitness to be in charge of a psychiatric institution as he exposes layers of weakness and paranoia. Off-duty, Henry drinks and smokes opium. His professional past includes a murky involvement with a female patient who still haunts his dreams. His marriage is disintegrating, and he has developed a fixation on Matilda, one of the nurses. Morally compromised on several levels, Henry now finds himself tested by a new patient who fought in World War II. Bertram Reiner’s experiences in part mirror Henry’s; his intelligence challenges his doctor’s authority; and his affair with Matilda turns Henry into a jealous voyeur. Further alter-ego issues revolve around Bertram’s brother, a German soldier who committed atrocities against Jews. Although Nayman (Stories: Awake in the Dark, 2006) emulates Pat Barker in viewing war through the eyes of a doctor dealing with the psychological havoc it wreaks, her dark, obsessive novel eschews the Regeneration trilogy’s detached tone in favor of trance-like scenes and moody visual intensity akin to a black-and-white movie melodrama, complete with lurching perspectives and looming shadows. The narrative becomes even more feverish in its final third, as it spins towards a long-signposted conclusion.
Vividly imagined and evoked, but this deft depiction of the shifting sands of mental frailty is overlong and ultimately ephemeral.Pub Date: Jan. 1, 2010
ISBN: 978-0-7432-9282-5
Page Count: 320
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2009
Categories: LITERARY FICTION
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The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.
Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.
A clever and current book about a complicated woman and her romantic relationships.Pub Date: July 11, 2017
ISBN: 978-0-451-49905-9
Page Count: 304
Publisher: Hogarth
Review Posted Online: April 18, 2017
Kirkus Reviews Issue: May 1, 2017
Categories: LITERARY FICTION
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Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Categories: LITERARY FICTION
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