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LET ME TELL YOU

NEW STORIES, ESSAYS, AND OTHER WRITINGS

There’s an old-fashioned feel to Jackson’s language and setups, but her stories never fail to deliver. For fans of...

Unpublished and uncollected work by the celebrated author of The Haunting of Hill House (1959) and other neo-Gothic chillers.

It’s fitting that this gathering by Jackson, who died half a century ago, should open with a perfectly crafted little story called “Paranoia.” Unfolding with the to-the-second pacing of a Twilight Zone episode, it finds a seemingly blameless fellow being pursued on a crosstown bus, into shops, and down city streets by an affectless fellow in a “light hat.” He’d like to tell the cops—but what is there to tell, apart from the fact that someone seems to be tailing him? Good thing his wife is waiting for him at home, but….Best known for her short story “The Lottery,” Jackson had a knack for finding the sinister in the ordinary; when presented with creepier props, she could really go to town, as when, in an early story, a young child threatens to steal away a doll belonging to a mild-mannered spinster of a schoolteacher, “a limp thing, with a gourd for a head and a scrap of red silk for a dress.” If you ever needed an explanation for why poltergeists always find their ways into homes with children, there it is. Even the pieces classified as domestic humor have an arch edge, as with one story that finds a mother wondering who left a hose out to freeze: “Not that the question is of the slightest importance, anyway. What’s important is to get it thawed out and put away. Let the dead past bury its dead, I firmly believe.” That’s a lot of portent for a stretch of rubber—and when Jackson gets to the frying pan and the scissors, things get dicier still. The volume closes with Jackson’s reflections on her work, in which she recounts dreams of closed gates and secretive conversations, nicely bracketing that paranoiac exercise that begins the book.

There’s an old-fashioned feel to Jackson’s language and setups, but her stories never fail to deliver. For fans of midcentury suspense, it doesn’t get much better than this.

Pub Date: July 28, 2015

ISBN: 978-0-8129-9766-8

Page Count: 432

Publisher: Random House

Review Posted Online: April 27, 2015

Kirkus Reviews Issue: June 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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