Stunning and relentless.
Rao’s debut story collection illuminates how the division of India and Pakistan into two countries violently disrupted the lives of the region's citizens for years.
The characters in these 12 stories are connected by the effects of Partition in August 1947, as the Radcliffe Line divides the former British colony into two countries and forces a mass migration of Hindus, Muslims, and Sikhs. With a sophisticated sense of pacing and patience, the stories build on one another by focusing on how the actions of those in power affect vulnerable women and children on both sides of the divide. The stories are paired, an interesting variation on linked stories, as there are six sets in which a character introduced in the first story also appears in the next. In “An Unrestored Woman,” a 13-year-old widow, Neela, faces the continuation of her loveless marriage after her husband, erroneously reported dead, comes back to claim her from a refugee camp. In the next story, “The Merchant’s Mistress,” Neela’s friend from the camp, Renu, becomes the servant and lover to both a diamond merchant and his wife, until an opportunity presents itself for her to escape. Other featured characters include a gay British officer facing the loss of his career after an uprising during Partition kills the Sikh officer he was attracted to; a Hindu cartographer who moves the proposed boundaries of the Radcliffe Line in the hope of personal gain; and a Hindu woman and a young Muslim boy who work to escape from a train under attack in Pakistan. The stories span more than a century, and Rao never idealizes the time of colonial rule prior to Partition or neglects the later difficulty of being an immigrant in the United States and Britain but instead focuses on how the choices the characters make reverberate for years and across generations. Rao’s language is particularly good at reflecting the interior lives of her characters. Her sentences are beautiful but never lapse into sentimentality: “The water was cold, silken, and when she dipped her head under it, it passed over her scalp with the thickness and the strength of a hand”; “that’s what she had thought while traveling on the train: that to journey through such emptiness was to invite it inside.” Though the characters are meticulously developed within each story, the collection as a whole examines how little power a person might have over his or her own destiny when confronted with war and international disputes.
Stunning and relentless.Pub Date: March 15, 2016
ISBN: 978-1-250-07382-2
Page Count: 256
Publisher: Flatiron Books
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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