by Shobha Rao ‧ RELEASE DATE: March 15, 2016
Stunning and relentless.
Rao’s debut story collection illuminates how the division of India and Pakistan into two countries violently disrupted the lives of the region's citizens for years.
The characters in these 12 stories are connected by the effects of Partition in August 1947, as the Radcliffe Line divides the former British colony into two countries and forces a mass migration of Hindus, Muslims, and Sikhs. With a sophisticated sense of pacing and patience, the stories build on one another by focusing on how the actions of those in power affect vulnerable women and children on both sides of the divide. The stories are paired, an interesting variation on linked stories, as there are six sets in which a character introduced in the first story also appears in the next. In “An Unrestored Woman,” a 13-year-old widow, Neela, faces the continuation of her loveless marriage after her husband, erroneously reported dead, comes back to claim her from a refugee camp. In the next story, “The Merchant’s Mistress,” Neela’s friend from the camp, Renu, becomes the servant and lover to both a diamond merchant and his wife, until an opportunity presents itself for her to escape. Other featured characters include a gay British officer facing the loss of his career after an uprising during Partition kills the Sikh officer he was attracted to; a Hindu cartographer who moves the proposed boundaries of the Radcliffe Line in the hope of personal gain; and a Hindu woman and a young Muslim boy who work to escape from a train under attack in Pakistan. The stories span more than a century, and Rao never idealizes the time of colonial rule prior to Partition or neglects the later difficulty of being an immigrant in the United States and Britain but instead focuses on how the choices the characters make reverberate for years and across generations. Rao’s language is particularly good at reflecting the interior lives of her characters. Her sentences are beautiful but never lapse into sentimentality: “The water was cold, silken, and when she dipped her head under it, it passed over her scalp with the thickness and the strength of a hand”; “that’s what she had thought while traveling on the train: that to journey through such emptiness was to invite it inside.” Though the characters are meticulously developed within each story, the collection as a whole examines how little power a person might have over his or her own destiny when confronted with war and international disputes.
Stunning and relentless.Pub Date: March 15, 2016
ISBN: 978-1-250-07382-2
Page Count: 256
Publisher: Flatiron Books
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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by Shobha Rao
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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