An incisive study of a friendship’s unbreakable bond.

READ REVIEW

GIRLS BURN BRIGHTER

Two friends and talented weavers navigate poverty, abuse, and the relentless pressure to find suitable husbands in contemporary South India.

In Indravalli, a village that sits along the banks of the Krishna River, 16-year-old Poornima, which means full moon in Telugu, and 17-year-old Savitha, which means sun, cross paths when Poornima’s father hires Savitha to help him meet the demand for new cotton saris. Savitha is industrious at the spinning wheel, or charkha, and weaving with Poornima is respite from searching garbage dumps for metal and plastic to sell to support her family. Mourning the recent death of her mother from cancer, Poornima finds in Savitha a mother figure, a gifted storyteller, and, as marriage looms, a confidante for her to express her fears that the man she’s been arranged to marry is not what he seems. Though 12-hour days of weaving bind Poornima and Savitha together, a horrific crime tears them apart. Out in the world alone, with no knowledge of each other’s whereabouts, they must find a way to maneuver the cruelties lobbed at women with no education and little money in both India and the United States. In this, her debut novel, Rao (An Unrestored Woman, 2016) has written an enchanting tale that alternates between Poornima's and Savitha’s points of view. The book’s earlier quiet and contemplative moments give way to the girls’ intricately devised plans to escape their brutal circumstances, and an indefatigable courage fuels their dreams for a reunion. The resplendent prose captures the nuances and intensity of two best friends on the brink of an uncertain and precarious adulthood. “She made even the smallest of life seem grand, and for Poornima, who had always ached for something more…watching Savitha, watching her delight, was like cultivating her own.”

An incisive study of a friendship’s unbreakable bond.

Pub Date: March 6, 2018

ISBN: 978-1-250-07425-6

Page Count: 304

Publisher: Flatiron Books

Review Posted Online: Dec. 7, 2017

Kirkus Reviews Issue: Jan. 1, 2018

Did you like this book?

No Comments Yet

An exuberant comic opera set to the music of life.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

DEACON KING KONG

The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous white policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Did you like this book?

No Comments Yet

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...

BEFORE WE WERE YOURS

Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.

Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.

Pub Date: June 6, 2017

ISBN: 978-0-425-28468-1

Page Count: 352

Publisher: Ballantine

Review Posted Online: March 21, 2017

Kirkus Reviews Issue: April 1, 2017

Did you like this book?

No Comments Yet
more