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TEATIME FOR THE FIREFLY

A lyrical novel that touches on themes both huge and intimate and, like Layla, is so quietly bold that we might miss its...

In the mid-1940s, an unconventional young Indian woman manages to defy the odds and her own inauspicious legacy to marry the man of her dreams, then must adjust to life in a remote tea garden amid the nationalistic, racial and religious discord of the times.

Raised by a secular, liberal-minded grandfather, Layla Roy seems destined for an academic life, but everything changes when she meets Manik Deb, the handsome, Oxford-educated young man who is betrothed through an arranged marriage to Layla’s conservative neighbor. When Manik suddenly gives up his distinguished civil service job to become a tea planter on one of the remote Assam plantations, it throws a wrench in his family’s plans for him and opens the door for a future with Layla. When they are finally able to wed, Manik takes Layla with him into the eccentric, isolated tea planter’s life, and the two must adjust to life together as well as to all of the idiosyncrasies of the British-dominated, colonial lifestyle of the planters. And if that’s not enough, tensions of Indian independence will soon jeopardize their happy union. Debut author Patel offers a stunning, panoramic view of a virtually unknown time and place—the colonial British tea plantations of Assam—while bringing them to life through a unique character’s perspective. Layla’s tragic early life is offset by her association with Dadamoshai, her unorthodox grandfather, which leads her to a huge set of opportunities not generally open to Indian women of her time. The odd courtship between Manik and Layla is sweet and touching, yet watching them spread their wings and plant roots together as a young married couple is fascinating, especially against the backdrop of the Indian fight for independence and the societal violence that was its byproduct. There is so much interesting history, worldbuilding and character development in this book that readers will forgive the occasional slow pacing and the subtle transition midbook as to the type of story being told.

A lyrical novel that touches on themes both huge and intimate and, like Layla, is so quietly bold that we might miss its strength if we fail to pay attention.

Pub Date: Sept. 24, 2013

ISBN: 978-0-7783-1547-6

Page Count: 400

Publisher: Harlequin MIRA

Review Posted Online: Sept. 25, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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