A candid, charged slice of personal history.

FOUR FEET TALL AND RISING

A MEMOIR

A salty, pugnacious memoir of a Little Person, his gangland background, his love of pit bulls and his road back from self-destruction.

Rossi is known to many as a brash-talking TV personality whose mission is to rehabilitate the pit bulls’ woeful image. “The dogs were not designed to kill,” he writes. “They had no special “enzyme” that made them fight. It’s only humans that consciously make the decision to kill. All dogs are capable of violence if they’ve been trained by shitty owners to be nasty, protective, fighting machines.” Rossi has seen the same thing happen with another species—his own. He barely survived his youth at the hands of a violently abusive father, fleeing to his friend’s house in the Watts neighborhood of Los Angeles, where by dint of association he became a member of the Bloods gang. He lived on the edge, always ready for something bad to happen: “I learned to protect myself. I carried guns.” This path would earn him 11 years in prison, where he was the only white man housed in a black unit, preferring Blood relations to life with the Aryan Brotherhood. His prison diary is told with a surprising degree of insight, but this is a story of redemption. Eventually Rossi managed to wire his act together, starting a Little People talent agency, working hard as an actor and dance man and working tirelessly to resuscitate the pit bull and bull terrier image. “That’s the most important thing,” he writes. “To give something back, no matter what it is…To actually be considered a success, you gotta give a shit.” Now he has caught a little break, a moment of fame, and he’s using it for the dogs and the Little People.

A candid, charged slice of personal history.

Pub Date: Jan. 17, 2012

ISBN: 978-0-307-98588-0

Page Count: 288

Publisher: Crown Archetype

Review Posted Online: Nov. 28, 2011

Kirkus Reviews Issue: Dec. 15, 2011

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more