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ALL WHO GO DO NOT RETURN

A MEMOIR

In this moving book, Deen lays bare his difficult, muddled wrestling with his faith, the challenges it posed to everything...

A former member of an extremely insular Hasidic sect tells his story of becoming curious about the outside world—and the consequences of that curiosity.

Unpious magazine founding editor Deen was raised in the Hasidic sect known as “the Skverers,” an offshoot of Orthodox Judaism that shuns the outside world. Radio, TV, newspapers, the Internet—these are all gateways that, once opened, let forth a flood of sinful thought and action into one’s heart. The author knows the story of how New Square, in Rockland County, New York, came to be and the travails faced by those seeking to establish it; he knows that even among strict, rigid devotees of Judaism, New Square is considered a place where the real fanaticism takes place. Like some who went before him, Deen’s intellectual curiosity led him to pursuits considered borderline sacrilegious. As a young boy, he was scolded for reading Then Again, Maybe I Won’t by Judy Blume, and as an 11-year-old, he would sneak off to read Hardy Boys mysteries. Turning 13, however, meant putting those texts behind him and focusing more on religious studies. Deen did so, but his interest in the world outside New Square followed him into adulthood, marriage and children. In equal measure with his interest in how others lived was a growing dissatisfaction with some of the practices within the Skverers—how on one hand, the elders would speak of the importance of offspring, but when Deen’s children arrived, it was treated as irrelevant. When instructed as a teacher to fudge the progress reports—to ensure continued approval that they were teaching, along with religion, the arithmetic and reading required—to the government, the author felt this untruth to be a betrayal.

In this moving book, Deen lays bare his difficult, muddled wrestling with his faith, the challenges it posed to everything he thought he knew about himself, and the hard-won redemption he eventually found.

Pub Date: March 24, 2015

ISBN: 978-1-55597-705-4

Page Count: 320

Publisher: Graywolf

Review Posted Online: Dec. 20, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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