In this moving book, Deen lays bare his difficult, muddled wrestling with his faith, the challenges it posed to everything...

ALL WHO GO DO NOT RETURN

A MEMOIR

A former member of an extremely insular Hasidic sect tells his story of becoming curious about the outside world—and the consequences of that curiosity.

Unpious magazine founding editor Deen was raised in the Hasidic sect known as “the Skverers,” an offshoot of Orthodox Judaism that shuns the outside world. Radio, TV, newspapers, the Internet—these are all gateways that, once opened, let forth a flood of sinful thought and action into one’s heart. The author knows the story of how New Square, in Rockland County, New York, came to be and the travails faced by those seeking to establish it; he knows that even among strict, rigid devotees of Judaism, New Square is considered a place where the real fanaticism takes place. Like some who went before him, Deen’s intellectual curiosity led him to pursuits considered borderline sacrilegious. As a young boy, he was scolded for reading Then Again, Maybe I Won’t by Judy Blume, and as an 11-year-old, he would sneak off to read Hardy Boys mysteries. Turning 13, however, meant putting those texts behind him and focusing more on religious studies. Deen did so, but his interest in the world outside New Square followed him into adulthood, marriage and children. In equal measure with his interest in how others lived was a growing dissatisfaction with some of the practices within the Skverers—how on one hand, the elders would speak of the importance of offspring, but when Deen’s children arrived, it was treated as irrelevant. When instructed as a teacher to fudge the progress reports—to ensure continued approval that they were teaching, along with religion, the arithmetic and reading required—to the government, the author felt this untruth to be a betrayal.

In this moving book, Deen lays bare his difficult, muddled wrestling with his faith, the challenges it posed to everything he thought he knew about himself, and the hard-won redemption he eventually found.

Pub Date: March 24, 2015

ISBN: 978-1-55597-705-4

Page Count: 320

Publisher: Graywolf

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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