A revealing look behind the curtain—if not the persona—from the man who helped Garland reclaim the limelight after Hollywood...
Hollywood producer Luft reflects on his relationship with show business legend Judy Garland, whom he married (and managed) during the final great phase of her performing career.
The author, who died in 2005, had a reputation as a controlling Svengali, but he comes across here as concerned, pragmatic, and, more often than not, right about Garland’s professional trajectory. Luft was instrumental in the production of her critically heralded film comeback, A Star Is Born (1954), and he orchestrated her triumphant performances at the London Palladium and Broadway’s Palace Theatre, epochal shows that cemented her late-period legacy and led to the creation of her own TV series. Throughout, Luft credits Garland’s genius and gallantly excuses her erratic behavior, drug dependency, and financial recklessness as the inevitable results of a lifetime of exploitation at the hands of Hollywood. More interestingly, he candidly expresses his physical attraction to Garland and appreciation of her unconventional sexual appeal—his ardor reads as completely sincere—and expresses concern about the consequences of his laissez faire disposition toward Garland’s peccadilloes. Luft’s memoir was written in fits and starts over a period of many years and completed after his death with the aid of interview transcripts and other scattered sources, and the narrative frequently feels choppy, with strangely abrupt transitions. Still, Luft, a former boxer and test pilot, has a winningly direct and confident authorial voice. A Hemingway-esque man’s man, he doesn’t delve too deeply into psychology, but Garland fanatics will gobble up his detailed, insightful backstage accounts of Garland’s classic late productions and gossipy tidbits about their social circle, which included Humphrey Bogart and the Prince of Wales. The story ends darkly, as Garland falls under the sway of agents Freddie Fields and David Begelman, who, according to Luft, ruthlessly manipulated Garland into excising him from her career and personal life. On the evidence here, that was a terrible mistake.
A revealing look behind the curtain—if not the persona—from the man who helped Garland reclaim the limelight after Hollywood let her down.Pub Date: March 1, 2017
ISBN: 978-1-61373-583-1
Page Count: 480
Publisher: Chicago Review Press
Review Posted Online: Feb. 5, 2017
Kirkus Reviews Issue: Feb. 15, 2017
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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