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THE DOOMSDAY CONSPIRACY

A science-fiction—yes, science-fiction—novel from the master of soap. And one with a MESSAGE, too, just like the sf of yore—the clichÇs of which Sheldon shamelessly recycles as he ham-handedly depicts an earth under threat of invasion by aliens ticked off at- -what else?—our destruction of the environment. US Navy Commander Robert Bellamy—Sheldon's first male lead in many years—is assigned by NSA to locate the 11 people on a Swiss bus who saw the crash of a ``weather balloon.'' It takes only a chat with the bus driver for Bellamy to learn that the ``weather balloon'' was really a downed UFO containing two alien bodies. It takes talks with all the witnesses, however—Yank, Soviet, Hungarian, etc., each tracked down in the novel's repetitive first two-thirds with minimal sleuthing but maximal scenery-stuffing—for him to learn that each is killed right after talking to him: ``It was an international conspiracy, and he was in the middle of it.'' And so are: the aliens (``a form of vegetable life'' whose eyes ``resembled Ping-Pong balls'') circling earth in their mother ship, waiting to see whether world leaders will respond to their secret plea to halt pollution; the missing third occupant of the UFO, dying for lack of pristine water; and the international cabal, led by ``Janus,'' that's killed the witnesses with the intent of fighting the aliens and continuing earth's exploitation. In the livelier last third, Bellamy, resorting to clever spy-tricks and help from a winsome whore, runs from Janus—whose identity you'll spot chapters away—while plotting his downfall. The fitful action climaxes in an Alpine showdown, with the celestial calvary soaring in for the rescue. Inane as sf (and seemingly cribbed in part from sources ranging from John Campbell's ``Who's Out There?'' to Whitley Strieber's Communion); mediocre as a thriller, even Sheldon-style; but fascinating as one top author's earnest if inept effort (backed by a polemical postscript) to voice the kind of warning that H.G. Wells did with so much more style. (Literary Guild Dual Selection for Fall)

Pub Date: Sept. 10, 1991

ISBN: 0-688-08489-3

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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