A science-fiction—yes, science-fiction—novel from the master of soap. And one with a MESSAGE, too, just like the sf of yore—the clichÇs of which Sheldon shamelessly recycles as he ham-handedly depicts an earth under threat of invasion by aliens ticked off at- -what else?—our destruction of the environment. US Navy Commander Robert Bellamy—Sheldon's first male lead in many years—is assigned by NSA to locate the 11 people on a Swiss bus who saw the crash of a ``weather balloon.'' It takes only a chat with the bus driver for Bellamy to learn that the ``weather balloon'' was really a downed UFO containing two alien bodies. It takes talks with all the witnesses, however—Yank, Soviet, Hungarian, etc., each tracked down in the novel's repetitive first two-thirds with minimal sleuthing but maximal scenery-stuffing—for him to learn that each is killed right after talking to him: ``It was an international conspiracy, and he was in the middle of it.'' And so are: the aliens (``a form of vegetable life'' whose eyes ``resembled Ping-Pong balls'') circling earth in their mother ship, waiting to see whether world leaders will respond to their secret plea to halt pollution; the missing third occupant of the UFO, dying for lack of pristine water; and the international cabal, led by ``Janus,'' that's killed the witnesses with the intent of fighting the aliens and continuing earth's exploitation. In the livelier last third, Bellamy, resorting to clever spy-tricks and help from a winsome whore, runs from Janus—whose identity you'll spot chapters away—while plotting his downfall. The fitful action climaxes in an Alpine showdown, with the celestial calvary soaring in for the rescue. Inane as sf (and seemingly cribbed in part from sources ranging from John Campbell's ``Who's Out There?'' to Whitley Strieber's Communion); mediocre as a thriller, even Sheldon-style; but fascinating as one top author's earnest if inept effort (backed by a polemical postscript) to voice the kind of warning that H.G. Wells did with so much more style. (Literary Guild Dual Selection for Fall)
Pub Date: Sept. 10, 1991
ISBN: 0-688-08489-3
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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