A rich, immersive narrative founded on impeccable scholarship.
Second in Pike’s trilogy about ethnic, political, and religious strife in sixth-century Celtic Britain.
Pike’s intent in this trilogy, as expressed in her exhaustive author’s note, is twofold: to reconstruct a factual basis for Arthurian legend and to shed more light on Languoreth, a queen who was outshone in history by her brother Lailoken, later known as Myrddin—or Merlin. The action covers the period from 572 to 580 C.E. Languoreth is the wife of Rhydderch, heir apparent to King Tutgual, and her brother is a Wisdom Keeper and a warrior in Uther Pendragon’s Dragon Warriors. War ignites as Tutgual’s forces, led by Rhydderch in alliance with the depraved pedophile Gwrgi, march on the Dragons. Because of her brother’s affiliations, Languoreth endures house arrest in Tutgual’s hall despite the fact that her oldest son, Rhys, is fighting on Tutgual’s side and the fact that her mother-in-law, Queen Elufed, (a Pict, which will prove significant later) is her ally. The third protagonist here is Angharad, 9-year-old daughter of Languoreth and Rhydderch. The child accompanies the Dragons to their stronghold to further her training as a Wisdom Keeper, but she is caught up in a siege. After the Dragons’ defeat in a catastrophic battle, the three principals disperse along separate paths. Lailoken goes into exile, Angharad falls in with Picts and priestesses, and, as her husband’s political fortunes increase, Languoreth seems to resign herself to her marriage of convenience. Artur (Arthur) is introduced as a minor character. With its plethora of information on the ethnicities, languages, and geography of post-Roman Britain, this novel might risk having only niche appeal if it weren't for the propulsive plot and flawed humanity of its characters. Invading Germanic Angles will sorely test the Celts’ always questionable ability to unify in defense. Pike continues to elucidate the feminist struggles of the matriarchal Old Way against encroaching patriarchal Christianity. Languoreth’s role remains diminished, less by Lailoken than by the constraints imposed on women by noblesse oblige.
A rich, immersive narrative founded on impeccable scholarship.Pub Date: Sept. 15, 2020
ISBN: 978-1-5011-9145-9
Page Count: 480
Publisher: Atria
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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