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IT WILL COME BACK TO YOU

COLLECTED STORIES

Nunez’s stories make a welcome addition to an already much esteemed body of work.

Nunez delivers vivid portraits of people living quiet lives of desperation in these sterling short stories.

There are two kinds of people in the world, said Søren Kierkegaard: those who write, and those who don’t. Nunez, best known as a novelist, writes up a storm with her first story, “Philosophers,” a tour de force of resignation. Her protagonist, who back in high school had a crush on a boy with a muscle car, adds to the categorization: “There was the kind of person who said, Let’s split the check, and the kind who reminded you you’d had the extra beer.” And then there are “good soldiers and bad soldiers” and “two kinds of Vietnamese,” wrote the young man from the combat zone. The Danish philosopher figures in this portrait, and so does heartbreak. Then there are the mentally ill and those on the way to being so, as a therapist reflects in “Greensleeves,” a title that speaks to a song with hidden dimensions. As to that, many of Nunez’s characters harbor secrets, mostly small but some very large indeed, as with a serial killer who “had never had sex without shame.” Shame doesn’t keep him from the hunt, and everyone is fair game: “People he knew, people he didn’t know. People. They were all candidates.” It’s a masterwork of horror that slowly unfolds to a creepily affectless ending. Nunez is a strong writer at every level, but she’s especially good at closings that nail their points in place, from the everyday to the sublime, as toward the end of the title story and its reflection on “why we get so much wrong, for why memory is so easily overruled by fiction, and why it can be so hard, no matter how we struggle, to get at the truth of our lives.”

Nunez’s stories make a welcome addition to an already much esteemed body of work.

Pub Date: July 14, 2026

ISBN: 9798217179152

Page Count: 224

Publisher: Riverhead

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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