Graceful, respectful and achingly honest.
Novelist Nunez (Salvation City, 2010, etc.) recalls her years with her longtime friend Susan Sontag (1933–2004).
Nunez, nearly 20 years Sontag’s junior, was working at the New York Review of Books when she first met the woman with whom she would share an apartment and with whose son she would share a romantic relationship. In 1976, Sontag, recovering from breast-cancer surgery, employed Nunez to deal with the piles of correspondence that had accumulated during her illness, and their relationship quickly evolved into a friendship. Nunez mostly eschews traditional chronology for the anfractuous avenues of memory, following them wherever they take her; they take readers to some amusing, painful, difficult and illuminating places. We learn that the white streak in Sontag’s hair was her actual hair color, and the rest was dyed. She admired William Gass and Joan Didion. She bit her nails, hated teaching and rarely prepared for readings. She did not carry a purse. She was funnier than many thought. Her work habits were ferocious but erratic. She liked to read a book every day, but she had no routine or writing schedule. When she was ready to write, she worked day and night, popping pills to stay awake. She was bisexual. Psychologically, it seems, she was surprisingly fragile; she needed to be the center of attention, insisted others do what she wanted to do and felt she never received the respect or money due someone of her talents (she was very impressed with her own talents). Nunez struggles mightily to be fair, but there are times when Sontag just flat pissed her off. Sometimes, says the author, she was “a Joe Louis who wanted to hurt someone.”
Graceful, respectful and achingly honest.Pub Date: April 13, 2011
ISBN: 978-1-935633-22-8
Page Count: 144
Publisher: Atlas & Co.
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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