A brave tale of human generosity and the power and peace that come from heeding the courage of one’s convictions.

SOUTHERNMOST

A road novel that mixes warmth, empathy, tragedy, and hope.

Southern novelist House’s (Eli the Good, 2009, etc.) new book is a paean to the wisdom of the heart and the remarkable ability of humans to listen to that wisdom despite a lifetime of believing (or preaching) intolerance. The novel opens in the wake of a catastrophic flood that all but destroys a small Tennessee town, as seen through the eyes of Asher Sharp, a Pentecostal preacher. Asher and his 8-year-old son, Justin, save a neighbor from his house as it literally floats down the river; they are aided by two gay men who have recently moved to the area and who lost their home in the flood as well. Asher is moved by the couple’s selflessness and offers them shelter in his own house, but his archreligious wife cannot abide it. The event shakes Asher sufficiently enough to make him question the foundations of his faith and everything he stands for, and as he begins to preach the gospel of tolerance and open-mindedness, he loses the respect of his congregation and the support of his wife, who attempts to wrestle full custody of Justin from him. At the end of his rope, Asher hops in his Jeep and makes a late-night run for Key West—with Justin in tow. There, he hopes to find and make amends with his estranged brother, Luke, whom Asher hasn’t spoken to since he came out as gay 10 years ago. All of this unfolds in a third-person voice redolent of the rich dialect native to the characters in the story; House has an unsurpassed ear for dialogue, and his prose is spare, fluid, and naturalistic throughout. After such a dramatic beginning, the story slows a bit as Asher and Justin arrive in Key West and get settled into a clandestine existence, but the propulsive pace picks up soon after, as the novel speeds toward its conclusion.

A brave tale of human generosity and the power and peace that come from heeding the courage of one’s convictions.

Pub Date: June 5, 2018

ISBN: 978-1-61620-625-3

Page Count: 352

Publisher: Algonquin

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE PRINCE OF TIDES

A NOVEL

A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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