An achingly lovely story of a child's regaining a sense of his family's past. Grandpa is old, gray, and willowy by the time he first visits his young grandson (who narrates), sometime early in this century. He has a touch of the mythic about him: frontier cowboy, roving photographer, Ozark homesteader, father of 11. Passing along his life story to the boy, he downplays its sheer heroism and highlights smaller pleasures. When the boy (an orphan since infancy, he lives with an uncle and aunt) produces a picture of his dad, Grandpa speaks his piece in throat-tightening simplicity: ``He was too young to be no soldier, but he done good. They told me so.'' Grandpa soon heads home to his Ozark cabin. ``I won't be back. It's too far and I'm too old.'' Throughout, the boy's sense of loss, displacement, thirst for warmth, and need for Grandpa's words are always palpable. The visit is so fleeting, yet there's no doubt this brief encounter will linger with the boy, and even change his life. The jacket painting is a little mawkish, but Dodson's fine interior illustrations are as evocative, suggestive, and as unpretentious as the old man himself. (Picture book. 5-8)
Pub Date: March 1, 1996
ISBN: 0-531-09511-8
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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