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MY BRIGHT FRIEND

Name: MY BRIGHT FRIEND
Author: Simon Boulerice
ISBN: 978-1-4598-2189-7

by Simon Boulerice ; illustrated by Marilyn Faucher ; translated by Sophie B. Watson ‧ RELEASE DATE: Sept. 24, 2019

Readers hoping for strong storytelling won’t find it here.

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A child coping with divorce finds comfort in an unexpected place.

The opening lines, translated from French, explain in a very unchildlike tone that “Ludo’s parents didn’t love each other anymore. There was nothing to be done—love is like a flame, and their love had been extinguished.” After this early mention of Ludo’s mother, she never appears again, and instead the story takes place when Ludo stays with his city-dwelling father. Ludo doesn’t like being there and spends his days indoors, but when he looks outside he sees a traffic light and is captivated. His father playfully tells him a “very patient little man” lives inside of it and changes the lights. Ludo believes him and worries about the man, so he decides to leave him toast with jam each night. He’s delighted when he finds only crumbs on the plate the next day, and Ludo’s father is, in turn, delighted by his son’s spirited imagination. A series of curious events suggests that Ludo isn’t imagining this exchange at all and that the little man really does live in the traffic light. Unfortunately, the wordy story’s logic has many holes, and they aren’t filled by the illustrations, resulting in a less-than-satisfying picture book. In Faucher’s bright, naïve illustrations, the cast is an all-white one.

Readers hoping for strong storytelling won’t find it here. (Picture book. 4-8)

Pub Date: Sept. 24, 2019

ISBN: 978-1-4598-2189-7

Page Count: 32

Publisher: Orca

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

- BOOK REVIEW
FLORENCE & LEON
by Simon Boulerice ; illustrated by Delphie Coté-Lacroix ; translated by Sophie B. Watson

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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THE BIG CHEESE

From the Food Group series

by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

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A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)