Minor Brett, which is very minor indeed, but still a treasure trove of microgossip.

THE KILLER IN THE CHOIR

An unlikely accusation at a wake kicks off the latest case of murder in Fethering, that quaint little village time forgot.

Carole Seddon hadn’t known retired insurance man Leonard Mallett well enough to attend his funeral service out of a sense of personal attachment, but her sense of communal responsibility—she serves on the Committee for the Preservation of Fethering’s Seafront, which he chaired—is rewarded when she’s made privy to his daughter Alice’s passing remark that he was killed by Heather Mallett, his second wife and Alice’s stepmother. The minor scandal that erupts has no impact on the police, who stoutly continue to maintain that Mallett’s fall down his staircase was entirely accidental. Whatever Heather’s role in his decease, she’s amply punished on the night of Alice’s wedding to Roddy Skelton by someone who strangles her and dumps her body into the water, leaving it to wash up next day on that well-preserved seafront. The evidence doesn’t point to anybody in particular, but the title suggests that the guilty party is a member of the Crown & Anchor choir, a group assembled specifically to perform at the wedding ceremony. Given their vast experience in petty homicide (The Liar in the Library, 2018, etc.), it’s inevitable that Carole and her healer friend, Jude Nicholls, would resolve to find the killer. Their insinuating queries unearth several questionable alibis, several more Christie-like red herrings, several revelations of musical misdirection and incompetence, and one serious case of PTSD. This time, though, the plot is as disjointed as this list would suggest, and the denouement comes not with a bang but a bemused shake of the head.

Minor Brett, which is very minor indeed, but still a treasure trove of microgossip.

Pub Date: Sept. 1, 2019

ISBN: 978-1-78029-118-5

Page Count: 192

Publisher: Creme de la Crime

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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POP GOES THE WEASEL

After a flight in fantasy with When the Wind Blows (1998), Patterson goes to ground with another slash-and-squirm psychokiller page-turner, this one dedicated to “the millions of Alex Cross readers, who so frequently ask, can’t you write faster?” By day, Geoffrey Shafer is a charming, 42-year-old British Embassy paper-pusher with a picture-perfect family and a shady past as an MI-6 secret agent. Come sundown, he swallows a pharmacy of psychoactive pills, gulps three black coffees loaded with sugar, and roams the streets of Washington, D.C., in a battered cab, where, disguised as a black man, he rolls dice to determine which among his black female fares he—ll murder. Afterwards he dumps his naked victims in crime-infested back alleys of black- slum neighborhoods, then sends e-mails boasting of his accomplishments to three other former MI-6 agents involved in a hellish Internet role-playing game. “I sensed I was at the start of another homicide mess,” sighs forensic-psychologist turned homicide-detective Alex Cross. Cross yearns to catch the “Jane Doe murderer” but is thwarted by Det. Chief George Pittman, who assigns sexy Det. Patsy Hampton to investigate Cross and come up with a reason for dismissing him. Meanwhile, Cross’s fiancÇe is kidnaped during a Bermuda vacation, and an anonymous e-mail warns him to back off. He doesn’t, of course, and just when it appears that Patterson is sleep-walking through his story, Cross nabs Shafer minutes after Shafer kills Det. Hampton. During the subsequent high-visibility trail, Shafer manages to make the jury believe that he’s innocent and that Cross was trying to frame him. When all seems lost, a sympathetic British intelligence chief offers to help Cross bring down Shafer, and the other homicidal game-players, during a showdown on the breezy beaches of Jamaica. Kinky mayhem, a cartoonish villain, regular glimpses of the kindly Cross caring for his loved ones, and an ending that spells a sequel: Patterson’s fans couldn’t ask for more.

Pub Date: Oct. 19, 1999

ISBN: 0-316-69328-6

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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