Britisher Mawer's fourth novel and first to appear here is a riveting tour de force of science, suspense, philosophy, and—well, love. A research scientist in genetics, 38-year-old Benedict Lambert is a great-great-great-nephew of Gregor Mendel, the long- unrecognized Austrian priest who himself discovered genetics. Perhaps his kinship with Mendel pushed Lambert toward genetic research—though more likely it was the fact that Lambert himself is a genetic accident, a mutant: specifically, an achondroplastic dwarf. Tiny, with stubby limbs, huge head, and concave face, he causes most who see him to think of the circus. Little do they know, however, that he, like Mendel, is also a genius, seeking the one, chance-determined genetic signal—the ``single letter spelling mistake in thirty-three billion''—that causes achondroplastic dwarfs to be born. As he works, thus, at the forefront of genetic research, the question, of course, is whether he'll find his elusive quarry. Mawer's novel, though, isn't only about science, but also about people—and the suffering, acerbic, intelligent, thoughtful Lambert comes nothing if not alive. What is life like for a dwarf, and where is love to be found? Alternate chapters tell the century-old story of the stoic and celibate Mendel and the now- story of the equally stoic Lambert—including his love for charmingly mousy librarian Jean Piercey and the remarkable direction this love travels in: including not only pregnancy but a breath-stopping mystery that's unsolved (if then) until the end. Laboratory pyrotechnics, adultery, sex, outraged husband—all are narrated by the gifted Lambert, who, both as raconteur and as geneticist, knows that God, life, and chance are all one (he's ``peered behind the scenery. . . and there's nothing there''). Readable, engrossing, compelling, profound. A cornucopia of science—a veritable primer of genetics and DNA—and a story to boot that will wrench you, involve you, and leave you quite wilted. Wonderful.

Pub Date: March 1, 1998

ISBN: 0-609-60106-7

Page Count: 288

Publisher: Harmony

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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