Handy for fans of the band and British rock history in general.
Everything you need to know about the goth-rock pioneers and pop hit-makers.
Founded in the late 1970s, the Cure cannily blended gloom and psychedelia—and eventually developed a knack for overtly upbeat tunes like “Friday I’m in Love” and “Just Like Heaven.” British music journalist Price’s comprehensive guide to the band is earthbound, upbeat, well researched, and largely devoid of fanboy chatter. There are requisite fact-stuffed entries on the band’s members, albums, and major singles, alongside scads of details that might be too much for even the hard-core fan: How did their 2000 album, Bloodflowers, do in Denmark? What was front man Robert Smith’s first car? What is guitarist Pearl Thompson’s drink of choice? However, chapters on broader themes make the book enjoyable beyond settling bar arguments and relating discographical arcana. Price riffs on the meaning of goth, sex, religion, poetry, and more in relation to the band, and he goes fairly deep into the band’s darker moments in entries on “alcohol” and “bullying.” (Often at the center of such stories is keyboardist Lol Tolhurst, who was fired by the band in 1989 and launched a failed retaliatory lawsuit.) Framing the band’s history in encyclopedia form allows Price to sidestep one fact that would sink a conventional bio: Not having released a studio album since 2008, the band is now mainly a much-loved global touring act. The author dedicates one entry to the long-awaited 14th album, another to the band’s recent efforts to battle onerous Ticketmaster fees. For all of the book’s range—from its 1980 single “A Forest” to zoology—the narrative is effectively the story of Robert Smith, and for all the details it delivers about him, from drug use to sneaker preferences to sleep patterns, he remains intriguingly, appealingly enigmatic.
Handy for fans of the band and British rock history in general.Pub Date: Dec. 12, 2023
ISBN: 9780063068643
Page Count: 448
Publisher: Dey Street/HarperCollins
Review Posted Online: Sept. 28, 2023
Kirkus Reviews Issue: Nov. 1, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A substantive, dishy, entertaining glimpse into Hollywood royalty.
The Oscar-winning actor and producer opens up about filmmaking, sex, drugs, and escaping his father’s shadow.
Despite its casual, just-shooting-the-breeze title, Douglas’ memoir is detailed and precision-engineered to entertain; as a filmmaker who won his first Oscar as a producer (for 1975’s One Flew Over the Cuckoo’s Nest), he knows a successful story needs clarity and conflict to work. The son of screen legend Kirk Douglas, he was well-acquainted with celebrity at an early age; witnessing his parents’ divorce, he spent much of his youth acting out. (He paid for college by selling weed by the suitcase-load.) After years of stalls and failures, he broke through on TV with the ’70s cop show The Streets of San Francisco. But small-screen work (along with his nepo-baby status) made breaking into big-screen roles harder until 1984’s Romancing the Stone made him a star and 1987’s Wall Street earned him a second Oscar. Douglas is candid about his industry struggles—like endless budget fights and betraying his father, who was promised the lead in Cuckoo’s Nest—and his reputation as a lothario. (Though married, he had an on-set affair with Kathleen Turner during Stone.) He’s also open about his alcohol and cocaine abuse, leading to a rehab stint, echoed in his son Cameron’s own struggles with addiction and recovery. He’s comfortable discussing controversies—the LGBTQ+ community’s protests of 1992’s Basic Instinct, his proto-MAGA character in 1993’s Falling Down—and plainly keeps an enemies list. But this story arc leaves him triumphant, with a loving wife (Catherine Zeta-Jones), his family, his health (after a cancer scare), and a late-career Emmy for playing Liberace in Behind the Candelabra (2013).
A substantive, dishy, entertaining glimpse into Hollywood royalty.Pub Date: Oct. 6, 2026
ISBN: 9781538782224
Page Count: 496
Publisher: Grand Central Publishing
Review Posted Online: Oct. 6, 2026
Kirkus Reviews Issue: Nov. 1, 2026
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