A fluid history lesson from an always engaging guide.
The second volume of the award-winning author and documentary producer’s history of the Jews.
The narrative moves via elegant minibiographies as Jews expelled from Spain and elsewhere struggled with dispersion and assimilation. Schama (History and Art History/Columbia Univ.; The Face of Britain: The Nation Through Its Portraits, 2015, etc.) pursues the uneasy story of the Jews’ dispersion across the globe after 1492, occasionally finding a haven, such as in Amsterdam or even China, but frequently suffering persistent persecution. In his engaging, stylistic prose, the author proceeds chronologically and delves into fascinating personal stories that reveal the Jewish experience beyond its significant religious figures—e.g., that of the “little warrior prince” David Ha-Reuveni, the “ambassador from the dominion of the Lost Tribes” of Israel who “fetched up in Venice” in 1523 and convinced many Jewish notables of Italy, who were traumatized by the expulsions from Spain and Portugal, that he “was the bearer of something ancient, immemorial, thrown, by God’s design, into modern time.” Facing forced conversions, the Jews of Spain and Portugal headed to the safety of Ferrara in the Po Valley or farther into the Ottoman realm of Suleyman the Magnificent, where they could practice their faith and livelihoods with some dignity. Two “New Christian” sisters, who happened to be among the richest women of Europe, Beatriz de Luna, the widow of a spice king, and Brianda, moved from Lisbon and resettled comfortably in Antwerp only to become embroiled in the perilous machinations of “cultural pluralists.” Other characters Schama vivifies throughout this wide-ranging book include Leone de Sommi Portaleone, the “first unapologetically Jewish showman” of Mantua; the rich immigrant Jews of Galata; cabalist teachers in Safed, Palestine; Jews thriving in the liberal Dutch Republic, some of whom were painted by Rembrandt; and the “citizen Jews” of revolutionary France. While the princes of Europe excoriated the Jews, they also needed them, especially to underwrite their military exploits and luxurious tastes. The modernity of the 19th century would bring both pogroms and Leon Pinsker’s clarion call of “Auto-Emancipation.”
A fluid history lesson from an always engaging guide.Pub Date: Oct. 24, 2017
ISBN: 978-0-06-233957-7
Page Count: 768
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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