by Simon Spence ‧ RELEASE DATE: April 2, 2013
A must-read for anyone who has wondered why the Stone Roses ever mattered.
As definitive an account of the surprising rise and spectacular fall of seminal 1980s Brit rockers the Stone Roses as a fan could hope for.
Music journalist Spence (Just Can't Get Enough: The Making of Depeche Mode, 2011, etc.) interviewed almost every important person in the history of the band, including all of its members, managers, producers and most of its roadie coterie save one (road manager Steve Adge, who’s writing his own Roses history). This sounds easier than it was, given several members’ penchant for mystery and silence since the band’s bitter breakup in 1996. Fortuitously for Spence, by the time he had connected with the members of its best-known incarnation—singer Ian Brown, guitarist John Squire, drummer Alan “Reni” Wren and bassist Gary "Mani" Mounfield—15 years’ worth of ice, particularly between founders, chief song scribes and boyhood friends Brown and Squire, was beginning to thaw. Even at their heyday, the Roses could be prickly and unpredictable regarding outside expectations. Following the release of their brilliant, eponymous 1989 debut LP, which The Observer has since called the best rock album ever, the band’s creativity seemed to dry up as they battled their record company and self-aggrandizing manager Gareth Evans over two of the worst contracts in rock ’n’ roll history. When they finally produced "The Second Coming" for Geffen three years later, internal fissures, which Evans seemed to create when he gave Brown and Squire sole credit (and the attendant financial rewards) for the band’s collective compositions, began to crack wide open. A long-promised tour of the United States, repeatedly canceled, came together only after a key member had quit and just months before the band self-imploded. This book is being released in time for a reunion tour of the U.S. in the summer of 2013.
A must-read for anyone who has wondered why the Stone Roses ever mattered.Pub Date: April 2, 2013
ISBN: 978-1250030825
Page Count: 352
Publisher: St. Martin's Griffin
Review Posted Online: Dec. 24, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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