Sarah Piper, a self-proclaimed modern woman living in London, finds herself living a ghost story in this post–World War I tale.
A temp agency offers Sarah a job with a mysterious, handsome writer, Alistair Gellis, who carries scars from the recent Great War. His postwar passion finds him writing travel books—as dry and academic as he can make them—about various haunted sites in England, but his interest is piqued by the case of a haunted barn in the small village of Waringstoke; a young maidservant hanged herself in her employer’s barn and has been making mischief and threats ever since, most recently terrorizing a local vicar when he is called to perform an exorcism. According to her former employer, Mrs. Clare, Maddy, the ghost, hates men, so if Alistair is to verify the haunting for his next book, Sarah will have to confront the angry spirit. Feeling adrift in her life and intrigued by Alistair’s company, Sarah agrees to the job, embarking on a terrifying journey into the damaged psyche of Maddy Clare. Capable of manipulating her environment and producing hallucinations, Maddy is not resting quietly. Not only must Sarah and Matthew Ryder, Alistair’s tough and war-scarred friend, race to discover the truth behind Maddy’s life and death, they are soon caught up in Maddy’s troubling obsession with Alistair. Through fog, darkness, nightmares and fire, Sarah and Matthew fight to save their friend while also succumbing to their own heated attraction. Along the way, they meet all the mysterious figures one would hope to find in a small English town: the brash new-money aristocrat and his unhappy, beautiful wife; the distrustful gravedigger; the man who watches outside Sarah’s window. And of course, Maddy, the one who connects them all and is either seeking peace—or revenge. A chilling start gives way to a more predictable ending, but fans of the modern Gothic novel will enjoy filling up a few creepy hours.
Pub Date: March 6, 2012
ISBN: 978-0-4512-3568-8
Page Count: 336
Publisher: New American Library
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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