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WIND WIZARD

ALAN G. DAVENPORT AND THE ART OF WIND ENGINEERING

A winning, enlightening investigation into wind engineering and the man who made the airwaves speak.

A richly drawn portrait of Alan Davenport (1932–2009), the maestro of “balancing the wind’s fickle forces.”

Davenport was not just a wind engineer, writes freelance science journalist Roberts (King of Infinite Space: Donald Coxeter, the Man Who Saved Geometry, 2006); “he set the agenda for investigating the effects of wind on the natural and built environments,” chiefly through his path-breaking dedicated boundary layer wind tunnel. The tunnel measures the effects of wind from the earth’s surface to 3,000 feet in altitude, where it is at its most turbulent, churning in eddies, or, as Roberts puts it, “marbled striations of air.” This is only one example of the author’s lovely way with words, her artful ability to give the mind’s eye entry into difficult scientific terrain. She is at ease writing pure popular science—how Davenport put his wind tunnel to use to help understand sail design or the winds at Augusta National Golf Club’s famous 12th hole—as well as the dark matter of wind correlation and buffeting theory. There is a fine introduction to the history of wind theory and limpid explanations of such phenomena as viscosity, before Roberts goes on to detail a number of Davenport’s more famous projects, such as the World Trade Center, the Sears Tower, Shanghai’s World Financial Center, the Bronx-Whitestone Bridge and Florida’s Sunshine Skyway. A final chapter testifies to Davenport’s forward thinking as he tackled disaster mitigation, again with his wind tunnel, using models of local topography to avoid obvious landscape traps in the event of natural disasters.

A winning, enlightening investigation into wind engineering and the man who made the airwaves speak.

Pub Date: Dec. 1, 2012

ISBN: 978-0-691-15153-3

Page Count: 288

Publisher: Princeton Univ.

Review Posted Online: Sept. 5, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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