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THE SHAKING WOMAN OR A HISTORY OF MY NERVES

Self-absorption can be grating in memoirs by lesser writers; in Hustvedt’s capable hands, it opens a door to revelation.

Novelist Hustvedt (The Sorrows of an American, 2008, etc.) investigates the reason(s) she suddenly began shuddering violently while delivering a memorial talk about her father, more than two years after his death.

The author pursues her symptoms with Javertian devotion; her husband, writer Paul Auster, said she was moving beyond devotion into obsession. She read voraciously, attended lectures on brain science, visited a variety of medical and psychological specialists, underwent examinations and MRIs and took drugs. She also ruminated excessively. The result is a narrative that is alternately transparent and scientifically dense, frustrating and satisfying, conclusive and vague. She begins at the bedside of her dying father in 2004 in her hometown of Northfield, Minn., leaps ahead to her first shuddering episode (more followed) and presents her exhaustive research and its exhausting exegesis. She consulted texts from the ancient world, Freud and William James, and myriad contemporary thinkers, from the widely known (Steven Pinker) to the relatively obscure (Imants Baruss, a professor at King’s University College in Ontario). As Hustvedt tries to remember pivotal medical and psychological moments in her life—she heard voices as a child, as did a couple of her sisters, had an early quaking fever, suffered from fierce migraines, tried various drugs—she segues smoothly into a wonderful section about the nature of memory. She also considers dream research and moves steadily toward an integrative theory of personality, concluding that she and her symptoms are not separate. “Ambiguity does not obey logic,” she states plainly.

Self-absorption can be grating in memoirs by lesser writers; in Hustvedt’s capable hands, it opens a door to revelation.

Pub Date: March 2, 2010

ISBN: 978-0-8050-9169-4

Page Count: 224

Publisher: Frances Coady/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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