A candidly intimate tale of a journey toward self-identity.

ALWAYS ANOTHER COUNTRY

An Australia-based African writer and political analyst’s memoir of a peripatetic life spent moving among countries and continents.

During her childhood in the 1970s, Zambia-born Msimang was “schooled in radical Africanist discourse.” The daughter of refugees fighting for a free South Africa, her earliest memories centered around other exiles tied to the African National Congress. Most Zambians embraced the presence of refugees, but some deemed them “rule-breakers and layabouts.” In 1981, the family moved to Kenya after Msimang’s father took a job working for a United Nations agency. A few years later, they moved to Canada, where they would finally have a chance to shed their status as refugees and seek “opportunities that accompan[ied] the terrain of citizenship and belonging.” But in white-dominated Ottawa, the family “stuck out” in ways they had not in either Zambia or Kenya. As one of just a few African families, they became subject to cross-cultural misunderstandings and targets of both overt and covert racism. Just as the teenage Msimang began to feel comfortable in her new environment, the family returned to Nairobi, where they lived an upper-middle-class lifestyle that separated them from ordinary Kenyans. In the early 1990s and not long after Nelson Mandela was freed from prison, Msimang was accepted to Macalester College in Minnesota. There, she became steeped in black radicalism and began a painful affair with a charming but “unemployed, and unemployable” black American that ended not long after the pair moved to California. The author returned to the newly liberated South Africa, where, to her surprise, she fell in love with and married a white Australian and eventually became one of many young blacks to feel betrayed by the dream of a more just and democratic society. Eloquent and affecting, Msimang’s book explores the nature of belonging as it chronicles a perpetual outsider’s quest for the meaning of home.

A candidly intimate tale of a journey toward self-identity.

Pub Date: Sept. 4, 2018

ISBN: 978-1-64286-000-9

Page Count: 352

Publisher: World Editions

Review Posted Online: June 27, 2018

Kirkus Reviews Issue: July 15, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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