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ALVA MYRDAL

A DAUGHTER'S MEMOIR

Internationally acclaimed for her contribution to world peace, Alva Myrdal's personal life (1902-1986) was a series of battles—against her rural Swedish parents, her husband, her children, her reputation, and in her personal quest to find out ``How do I become myself?'' Such ironies abound in this tactful and poignant memoir by her daughter (Philosophy/Brandeis; A Strategy for Peace, 1989, etc.). ``Serving'' her demanding, egocentric, and volatile husband, Gunnar (her ``consort battleship,'' as she called him), who won the Nobel prize in Economics, Alva often left their three children for long periods of time with various surrogates, damaging them but mostly damaging her relationship with them. Still, she longed for the children she could not care for, designed a family home that isolated the parents, taught educational theory she did not follow. Her children—disheveled, neglected, drifting—parented themselves. Jan, the son, a talented writer, ultimately rejected his parents, publishing a scathing attack on his mother just as she was to receive the Nobel Peace Prize in 1982. Of the daughters, Kaj chose to live with a teacher on a farm, and Sissela, while her mother was in America lecturing on the status of women, was so insecure that she said she had to be seen by someone to know she was alive. And Alva's celebrated marriage itself declined into a quarrelsome intellectual companionship. Rational, unsentimental, the parents kept account books of all the money they ever spent on their children, sums they decided justified disinheriting them in favor of a ``universal heir,'' the abstract causes they had dedicated their lives to, a legacy that left the children begging from strangers for family mementos. Gunnar claimed that their social science was ``concerned with explaining why all these potentially and intentionally good people so often make life a hell for themselves and each other when they live together.'' This probing and forgiving book carries on the explanation, exploring those ironic connections and disconnections between the public and private lives that Alva, in searching for herself, could not see.

Pub Date: June 6, 1991

ISBN: 0-201-57086-6

Page Count: 400

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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