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1941

THE YEAR THAT KEEPS RETURNING

A stunning work that looks frankly at the “roots of evil.”

A chilling personal account of the deep-seated terror and ethnic violence underpinning the puppet state of Croatia during World War II.

In a memoir that came to light thanks to the attention of Belgrade-born poet Charles Simic, who offers an elucidating introduction here, Croatian editor and historian Goldstein, born in 1928, not only recounts his intimate grief resulting from the murder of his father by the fascist Ustasha thugs that came to power with Croatia’s “independence” in 1941, but he encapsulates the ongoing anguish of the multiethnic groups of the former Yugoslavia that are still convulsed by sectarian hatred. With the encouragement of Hitler—who suggested to the Ustasha chief that in order for Croatia to become a stable state, “it would have to carry out a policy of ethnic intolerance for fifty years”—the Ustasha regime was bent on “cleansing” the Croatian state of Serbs as well as Jews and Gypsies. Goldstein’s father, a prosperous Jewish bookseller, had communist and intellectual connections, and thus several strikes against him in the views of the fascists, who first imprisoned him in the Danica concentration camp, then the formidable Jadovno death camp, before he was systematically executed. The author was barely 13 years old at the time, but he was shocked into adulthood quickly, especially as he witnessed the betrayal of former friends and colleagues. With his mother imprisoned and the author moved among different homes, Goldstein and the remaining family eventually joined the Croatian partisan fighters camped out in the forests. In this riveting narrative, the author often refers to the recent Croat-Serb ethnic violence in an attempt to explain how “modern Croatia has not been freed from this disease, and it is only in the last few years that it has begun to be treated for it.”

A stunning work that looks frankly at the “roots of evil.”

Pub Date: Nov. 5, 2013

ISBN: 978-1-59017-673-3

Page Count: 640

Publisher: New York Review Books

Review Posted Online: July 14, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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