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1941

THE YEAR THAT KEEPS RETURNING

A stunning work that looks frankly at the “roots of evil.”

A chilling personal account of the deep-seated terror and ethnic violence underpinning the puppet state of Croatia during World War II.

In a memoir that came to light thanks to the attention of Belgrade-born poet Charles Simic, who offers an elucidating introduction here, Croatian editor and historian Goldstein, born in 1928, not only recounts his intimate grief resulting from the murder of his father by the fascist Ustasha thugs that came to power with Croatia’s “independence” in 1941, but he encapsulates the ongoing anguish of the multiethnic groups of the former Yugoslavia that are still convulsed by sectarian hatred. With the encouragement of Hitler—who suggested to the Ustasha chief that in order for Croatia to become a stable state, “it would have to carry out a policy of ethnic intolerance for fifty years”—the Ustasha regime was bent on “cleansing” the Croatian state of Serbs as well as Jews and Gypsies. Goldstein’s father, a prosperous Jewish bookseller, had communist and intellectual connections, and thus several strikes against him in the views of the fascists, who first imprisoned him in the Danica concentration camp, then the formidable Jadovno death camp, before he was systematically executed. The author was barely 13 years old at the time, but he was shocked into adulthood quickly, especially as he witnessed the betrayal of former friends and colleagues. With his mother imprisoned and the author moved among different homes, Goldstein and the remaining family eventually joined the Croatian partisan fighters camped out in the forests. In this riveting narrative, the author often refers to the recent Croat-Serb ethnic violence in an attempt to explain how “modern Croatia has not been freed from this disease, and it is only in the last few years that it has begun to be treated for it.”

A stunning work that looks frankly at the “roots of evil.”

Pub Date: Nov. 5, 2013

ISBN: 978-1-59017-673-3

Page Count: 640

Publisher: New York Review Books

Review Posted Online: July 14, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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