by Sofka Zinovieff ‧ RELEASE DATE: Nov. 1, 2005
More than travel writing, this is a story of finding home.
A wife and mother chronicles her move from England to Greece.
The author, whose Russian father met her mother on holiday in Greece, grew up in England and married a Greek man. They spent most of their marriage in the U.K. and Russia, but in the summer of 2001 moved with their two daughters to a suburb of Athens. In her debut memoir, which recalls Patricia Storace’s Dinner with Persephone (1996), Zinovieff recounts her family’s first year in Greece. An anthropologist by training, she brings a keen eye for detail to her lovely prose, e.g., a new highway in Athens was “like a soft, steaming slick of black treacle.” The most poignant theme here is the parenting of bilingual, bicultural kids. Zinovieff realized her family was really becoming Greek when, on her birthday, her girls serenaded her with the Greek equivalent of Happy Birthday (“May you live, little Mum, and grow old, with white hair”). She suspected that as her daughters acclimated to their new country, they would sometimes be embarrassed by her decidedly English customs. The difference between her English and Greek selves was captured by a change of name: In English she was known as Sofka Zinovieff; her Greek neighbors transformed Sofka into Sophia, and schoolchildren called her by her husband’s last name, Papadimitriou. By November, Zinovieff had started to feel rather comfortable in her new environs. She decided to apply for Greek citizenship, even though that promised a long tangle with the bureaucracy. Some aspects of Greek culture—chronic tardiness, for example—grated on her. But she appreciated Athens, a city where even the most urban, modern pockets could still rightly be called “neighborhoods.” She enjoyed getting to know her Greek in-laws and celebrating holidays like Easter in Greece; indeed, she enjoyed both the literal and metaphorical significance of having a new name.
More than travel writing, this is a story of finding home.Pub Date: Nov. 1, 2005
ISBN: 1-86207-750-9
Page Count: 288
Publisher: Granta UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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