A mostly entertaining story of an unconventional family and their shared trait of flouting convention across generations.
The story of renowned diplomat, composer, novelist and painter Lord Gerald Berners and his "cultivated, artistic milieu."
In this vivid biography, Zinovieff (The House on Paradise Street, 2012, etc.) examines the lives of Lord Berners, his partner of more than two decades, Robert Heber-Percy (the author’s grandfather and the "Mad Boy" of the title), and her grandmother, Jennifer Fry, a beautiful and witty party girl and the catalytic agent of the story. At Gerald and Robert's parties at Faringdon, their estate, "entertainment, excitement and the pleasure principle" were paramount. However, their social circle of artists and aristocrats was more of a romantic and sexual Gordian knot: Most of the men were bisexual or gay, though several also loved women (some enough to marry them), many of whom were also sexually fluid. This impressively researched saga, which spans both world wars, is an effervescent account of the British upper class in the first half of the 20th century. When Jennifer improbably married the Mad Boy, a "wildly physical, unscholarly young hothead," she upended their lives at Faringdon by introducing a feminine presence—and a child (the author's mother, Victoria)—to their home. Victoria came to reject her English country home and lifestyle. The author was raised in a bohemian environment and recalls her mother’s decision not to teach her children manners "on principle." (This is the washed-out section of an otherwise vibrant tapestry.) In a drastic tonal shift, Zinovieff takes out the knives in describing her dismay about her inheritance—Lord Berners' manor and his chef. Though readers should find her relatable, she comes across as occasionally nonsympathetic; her story becomes tiresome as she recounts her struggle to resolve her modern sensibilities to the pastoral world of Faringdon and a "lost way of life."
A mostly entertaining story of an unconventional family and their shared trait of flouting convention across generations.Pub Date: March 31, 2015
ISBN: 978-0-06-233894-5
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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