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NADIA’S SONG

Although the rat’s identity is a given, Khashoggi overcomes potentially melodramatic material with deft, fast-paced...

Famed songbird dies under suspicious circumstances, leaving her daughter to search the past for clues.

Egyptian author Khashoggi (Mirage, 1996, etc.), now New York City–based, spins the engrossing tale of Karima, who, born the daughter of a chauffeur (for an English cotton pasha in Alexandria), becomes a revered singer in the Middle East. From childhood, Karima and Charles, the pasha’s only child, have loved each other. But when Charles comes of age, his parents refuse to let him marry Karima. The two meet secretly at night, however, in risky defiance of Karima’s brother Omar, a spy and flimflam man with a gambling problem. When Charles, after a bar fight, dies in a car crash, Karima discovers she’s pregnant. Omar beats her, but, seeing a chance to profit, arranges a marriage for her with Munir, an older businessman. When her daughter, Nadia, is born, the makeshift family turns real, and Karima’s musical gift blossoms into a professional career. But a theater fire during Egypt’s political upheaval of 1952 spells tragedy. Toddler Nadia is lost in the melee and eventually picked up by a French-Egyptian couple, Celine and her doctor husband Tarik. Too desperate for a child to alert the authorities, they take her to France and name her Gabrielle. Eventually, Tarik traces Gaby’s parentage but, for Celine’s sake, keeps it a secret. Karima, still pining for her lost daughter, continues performing to great acclaim even after Munir’s death from a heart attack. A powerful general, Hamza, befriends her, while her brother continues to leech money from her. Gabrielle, now a promising journalist, returns to Paris, where Celine is dying of cancer. Tarik can finally release the secret, and Gaby and Karima have a bittersweet reunion. Just as the two women are growing closer, and Gaby’s career is taking off, Karima dies, allegedly of an alcohol/barbiturate overdose. Since her mother was a strict teetotaler, Gaby smells a rat.

Although the rat’s identity is a given, Khashoggi overcomes potentially melodramatic material with deft, fast-paced storytelling and sympathetic characters. A winner.

Pub Date: July 1, 2005

ISBN: 0-765-31236-0

Page Count: 368

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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'SALEM'S LOT

A super-exorcism that leaves the taste of somebody else's blood in your mouth and what a bad taste it is. King presents us with the riddle of a small Maine town that has been deserted overnight. Where did all the down-Easters go? Matter of fact, they're still there but they only get up at sundown. . . for a warm drink. . . .Ben Mears, a novelist, returns to Salem's Lot (pop. 1319), the hometown he hasn't seen since he was four years old, where he falls for a young painter who admires his books (what happens to her shouldn't happen to a Martian). Odd things are manifested. Someone rents the ghastly old Marsten mansion, closed since a horrible double murder-suicide in 1939; a dog is found impaled on a spiked fence; a healthy boy dies of anemia in one week and his brother vanishes. Ben displays tremendous calm considering that you're left to face a corpse that sits up after an autopsy and sinks its fangs into the coroner's neck. . . . Vampirism, necrophilia, et dreadful alia rather overplayed by the author of Carrie (1974).

Pub Date: Oct. 17, 1975

ISBN: 0385007515

Page Count: 458

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Oct. 1, 1975

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THE GOOD HOUSE

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).

Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-01554-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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