Despite occasional descents into melodrama, Pipe Dream is the work of a talented newcomer passionate about his material. An...
A staff writer for Philadelphia Weekly debuts with a searing tale of betrayals, self-betrayals, wasted lives—and addiction.
The place is Philadelphia, though the setting could be any big city. Everett Jackson (street name: Black), a young African-American awaiting trial for murder, tells the bulk of his story in one long flashback. Black’s a “piper”—a crack-cocaine addict—as is his best friend Leroy. That is, they would be best friends if the all-controlling need for the hit didn’t make romantic nonsense out of so humanly natural a concept. As usual, Black and Leroy are broke on this particular night. In order to score, they have to run some kind of scam, which, in its typical inefficiency, is what lands them in the wrong place at the wrong time—in a certain crack house where someone has just been murdered. It turns out to be a very important someone: the city councilman who heads the Police Civilian Review Board. He’s been lured to his death because a couple of highly placed cops need to discredit him before he can blow the whistle on the corruption that’s made them rich. The cops also need scapegoats, a role for which both Black and Leroy, friendless and powerless, seem tailor-made. An all-out manhunt ensues, leading the beset pipers to go underground. Expert at wriggling and squirming, they make it seem for a while as if they might escape—but they don’t, and they can’t. The thing about pipers is that way down deep they know they don’t deserve to. Violence leads to bloodshed and, paradoxically, to isolated patches of something like nobility. In the end, Black’s desperate battle against the system, and his own inner demons produces an unsought and affecting redemption.
Despite occasional descents into melodrama, Pipe Dream is the work of a talented newcomer passionate about his material. An impressive debut—and a writer to watch.Pub Date: July 31, 2001
ISBN: 0-375-75660-4
Page Count: 256
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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