A moving and honest portrayal of familial love and dependency.
A woman in her early 60s reflects on life while caring for both grandchildren and an aging mother in this novel, the first by a Faroese woman to be translated into English.
“When you throw a pebble in a pond, the ripples spread outwards. For the old it goes in the opposite direction. The world contracts in steadily shrinking circles,” the unnamed narrator muses. Her elderly mother is struggling to recall the word butter, and while her mother still lives independently, the daughter has noticed a worrying decline. Meanwhile, there are no spaces in the nursing home, and her own daughter needs help with child care. Sandwiched between the needs of the very young and the very old, our protagonist reflects on the caretaking that falls to women in this and every other generation: “Oh, you daughters of Eve! You silent heroines through the ages! You wiped off tears and sweat. No books detailing your exploits are crowding the bookshelves.” She misses the mother she knew and counted on, though on good days the two still reminisce together. Sorting through her mother’s photographs and handwritten letters, she relives moments like peat cutting, or filling the coal bucket. The writing is meditative, the sentences often fragmentary. “One day I too shall be but a photo,” she thinks. “Stopped in time.” At its most interesting, the book affords glimpses into a vanished way of life in the Faroe Islands, as when the mother, confused, “complains that someone has taken the barrel of salted pilot whale meat.” Elsewhere the story is a more general, familiar one about the caretaker’s role and the “immense strength” it takes “to remain dignified and even-tempered as your body so utterly betrays you. As your head slowly empties.”
A moving and honest portrayal of familial love and dependency.Pub Date: June 16, 2026
ISBN: 9798893380491
Page Count: 121
Publisher: Transit Books
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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